" a.t.& ā¢ā¢ t ā¢ā¢ tal ā¢ā¢ā¢ā¢ t tile at. r am what I am.</p><p> I don't want praise.</p><p> I don't want pity." Those iconic lines-a signal moment in both musical theater and gay histoĀ ry-are ringing out again with the fIrst BroadĀ way revival of La Cage aux Folies, opening DeĀ cember 9.</p><p> Gary Beach, who won the Tony for his hilarious turn as fey director Roger De Bris in The Producers, plays La Cage's Albin-the drag diva with a maternal streak portrayed by N aĀ than Lane in The Birdcage, Mike Nichols's 1996 film adaptation.</p><p> Beach feels the thrill and the responsibility of that song and this show. "When George Hearn sang it [when the show fIrst hit Broadway in 1983]," says Beach, "it was the first time-George, of course, wasn't gay-where a gay character stood up and said, 'This is what I am.</p><p> And I don't hate myself, and I really don't care if you don't like what I'm doing.</p><p> I'm strong enough to say that.' That was a pretty incredible moment, and it's still valid now." The first time he perĀ formed the song during auĀ ditions, Beach was a wreck. "You need an intermission after singing 'I Am What I Am,'" he laughs.</p><p> He knew the show was great fun, but any questions he had as to its importanc e soon vanished. "When I got the call about this reĀ vival, my fIrst thought was, Does the world need to see La Cage aux FolIes now?" says Beach, who also scored a atl Tony nomination for his tum as the candlestick Lumiere in Beauty and the Beast. "And I swear to you, maybe a week later the whole gay marriage- New Paltz-San Francisco thing hapĀ pened.</p><p> I thought, Oh, my God, this acĀ tually means more now than it did even then." For an actor singing one of the most THE ADVOCATE 182 I DECEMBER 7, 2004 The Producers' hilarious Gary Beach gets his name above the title in La Cage aux Folies By Michael Giltz defiant "I am gay" songs around, Beach's own professional coming-out was decidedly low-key.</p><p> He casually mentioned his partner of 15 years ("We used to be lovers; now we're partners") during interviews for The Producers and realĀ ized while reading the artiĀ cles that he'd come out.</p><p> La Cage aux FoUes' comĀ ing-out promises to be equalĀ ly thrilling, with numerous tweaks keeping it fresh. "The story is still there," says Beach, who will also be filmĀ ing the movie version of The Producers in February. "You can't change that story.</p><p> It's magnificent .</p><p> But I was sent the script about two weeks before rehearsal.</p><p> I opened it to the fIrst scene, which hapĀ pened to be the scene I audiĀ tioned with, and I almost didn't recognize it.</p><p> It goes in a different way.</p><p> It's a totally different entrance; a totally different relationship beĀ tween Georges [Daniel DaĀ vis 1 and Albin.</p><p> The music is very much the same.</p><p> It's a great Jerry Herman score.</p><p> Why bother with it?" Beach is hopeful it can be just as exciting an opening as the original was for him in 1983. "I was there the night before the opening," says the 57-year-old actor, "at the very final preview.</p><p> It was very thrilling.</p><p> At the time-it was 20 years ago-people said, 'Oh, my God, Gary, you'd be so good in that part.</p><p> Too bad you're too young for it.' Well, they can't say that anymore.'" ā¢ Giltz is a regular contributor to several periodicals, including the New York Post.
