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Theater Strictly Delightful Strictly Dishonorable

📄 Theater Strictly Delightful Strictly Dishonorable

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12/12/2015Theater: Strictly Delightful 'Strictly Dishonorable' | Evernote Web https://www.evernote.com/Home.action#n=d8a6d7ab-b0e8-4d28-9a9f-93cde7314606&ses=4&sh=2&sds=5&1/4Theater: Strictly Delightful 'Strictly Dishonorable'Theater: Strictly Delightful 'Strictly Dishonorable'STRICTLY DISHONORABLE *** 1/2 out of **** THE ATTIC THEATER COMPANY AT FLEA THEATEROne of the greatest talents in film history, Preston Sturges is best remembered for four stellar comedies: ThePalm Beach Story, The Lady Eve, The Miracle At Morgan's Creek and Hail The Conquering Hero.</p><p> Others alsotreasure Sullivan's Travels and Unfaithfully Yours, but however you order them, these are some classic films.And of course he won the Oscar with The Great McGinty.</p><p> But before all that he was a playwright.</p><p> In 1928, hestarred on Broadway in one show and wrote another one called The Guinea Pig that opened to raves inMassachusetts and transferred to Broadway.</p><p> But the real monster success came next when Sturges deliveredthe comedy Strictly Dishonorable.</p><p> He wrote it in six days, it ran for 16 months and he grossed a remarkable$300,000 just as the Great Depression was hitting its stride.</p><p> Sturges then wrote three more shows (including amusical!) but Hollywood came calling and he was soon gone for good.Now The Attic Theater Company has revived Strictly Dishonorable with panache and it sure makes me hungryto see his other theatrical works too.</p><p> Honestly, I only showed up out of polite interest as a Sturges fanatic,wondering if glimmers of his genius would be visible.</p><p> Indeed, his sparkling, distinctive gift for dialogue andwhiplash changes in emotion from sincere to silly are on full display.</p><p> And from what I can tell by clips online, thisproduction looks markedly better than the creaky 1931 film version and much, much better than the godawful1951 remake starring Ezio Pinza and Janet Leigh.</p><p> You'd be foolish to miss it.Set in a speak-easy in 1929, it begins with the Italian staff squabbling amongst themselves until their regularcustomer the Judge (John Robert Tillotson) ambles in for just one drink.</p><p> Almost by accident, a couple of squaresarrive, the prickly Henry Greene (Thomas Christopher Matthews) and his sweet, Southern, slightly put-uponfiancee Isabelle ((Keilly McQuail).</p><p> He wants to leave immediately but she's eager to sample a speakeasy andsurely none too eager to return to his mother-in-law in West Orange, New Jersey. (The play was written almostone hundred years ago and the jokes about Jersey are still getting laughs.)Henry's an unlikable fellow in the usual Sturges manner: he batters down his girl with fast talking, brusquelydemands his drink and then wonders why the service is so poor, takes offense easily and is so clueless in hisrude indifference to her and everyone around him that you can't help feeling sorry for the guy just a little, evenas you suspect most of us barrel through life just as blithely indifferent at times to others as poor Henry.</p><p> In walksthe good-looking professional opera singer and amateur (but very successful) lothario named Gus (MichaelLabbadia) and, well, Henry hasn't got a chance.Director Laura Braza keeps this romantic comedy rolling with aplomb, striking the right note with the entire cast.Some judicious pruning might have made the first act fly by quicker.</p><p> And it's to be hoped the cast will tighten upand move things along even faster as they settle into the run of the show.</p><p> But they are in sync with the materialfrom the start and the actors are essentially faultless.Gus might easily be a cheesy wooer of women, but Labbadia -- in his New York debut -- gives him heart andhumor.</p><p> And when he's asked to sing, I imagined they might get a quick laugh by playing a record and havinghim lip sync (he's supposed to be a world famous talent, after all) but instead he pulled off a nice little numberwell enough to maintain the illusion.</p><p> Funny and winning, he also sports an Italian accent just this side of silly12/12/2015Theater: Strictly Delightful 'Strictly Dishonorable' | Evernote Web https://www.evernote.com/Home.action#n=d8a6d7ab-b0e8-4d28-9a9f-93cde7314606&ses=4&sh=2&sds=5&2/4(like all the actors in the show) which is part of the evening's charm.As the speakeasy owner Tomas, Christopher Tocco is also excellent, anchoring much of the evening with hisaffable presence and mining subtle laughs throughout.</p><p> William John Austin as an Irish cop who happily looks theother way when a glass of "ginger ale" is offered as an inducement, is similarly fun in a smaller role.</p><p> As a waiterand lookout, Ryan Trout and Nick Ritacco are also spot-on.</p><p> It's a pleasure to see a show so well directed whereeveryone is on the same page.The handsome Matthews for me was the most empathetic to the style of performing perfected by the actors whoworked with Sturges in film after film.</p><p> He steamrolled through his dialogue with verve, exploded in futile angerwith just the right level of indignation and even took a nice pratfall.</p><p> If Sturges were around, he'd make sureMatthews worked in his next project as well.Tillotson is a pro as the Judge.</p><p> I'm not sure if it's the writing or his performance choices, but I wasn't alwaysclear as to where the Judge was coming from.</p><p> And with Sturges, characters are often driven by an all-consuming quirk or passion.</p><p> Is the Judge in love with Isabelle himself? Or perhaps fancies Gus? An old busy-body? A self-important fool? Mostly Tillotson plays him -- rightly -- as sweet and good-intentioned.</p><p> To be clear,he delivers some of the play's best lines with dead-pan accuracy.The Judge is perhaps a gentle voice of conventional morality when Sturges will have none of that -- we soonsee Gus proving his love for Isabelle by not sleeping with her while she's convinced his refusal to bed her isproof that he doesn't.</p><p> And when he begs her to marry him, why she's convinced even more that he doesn't! (Itmakes sense, somehow, while it's happening.)And that brings us to the show's star Keilly McQuail.</p><p> This is a very fun revival that would surely work withanother actress in the part.</p><p> But McQuail is a genuine find -- convincingly Southern, sweetly sexy, timidly bold,believable in her relationship with Henry (hey, it gets her out of Yoakum, Mississippi!) and yet just as believablewhen she finds the courage to blaze her own path.</p><p> McQuail brought out the best in everyone around her,handled physical comedy and emotions ranging from aroused to uncertain and looked great in her flapper outfitwhile doing it.With modest means at their disposal, the scenic design by Liz Sherrier, the costumes by Travis Chinick and thelighting (David M.</p><p> Upton) and sound (Beth Lake) all worked in harmony.</p><p> I'll be remembering this show fondly atthe end of the year.</p><p> Given the talent on display, I'm hopeful it will be even tighter and better at the finale of whatshould be an extended run as it was at the beginning.</p><p> Now bring on The Guinea Pig!THEATER OF 2014Beautiful: The Carole King Musical ***Rodney King *** Hard Times ** 1/2 Rosencrantz And Guildenstern Are Dead ** I Could Say More * The Loneliness Of The Long Distance Runner ** Machinal *** Outside Mullingar *** A Man's A Man * 1/2 The Tribute Artist ** 1/2 Transport ** Prince Igor at the Met ** The Bridges Of Madison County ** 1/2 Kung Fu (at Signature) **