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Theater Wiest and Turturro Lost In Orchard Skip This Dinner

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Entertainment Featuring fresh takes and real-time analysis from HuffPost's signature lineup of contributors Michael Giltz Freelance writerGET UPDATES FROM MICHAEL GILTZ Read more Anton Chekhov , Dianne Wiest , John Turturro , The Cherry Orchard , Off-Broadway , The- Man-Who-Came-To-Dinner , Entertainment NewsReact Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: Wiest and Turturro Lost In "Orchard;" Skip This "Dinner" THE CHERRY ORCHARD AT CSC ** THE MAN WHO CAME TO DINNER AT THEATRE AT ST.</p><p> CLEMENT'S ** THE CHERRY ORCHARD ** CLASSIC STAGE COMPANY Why oh why is Chekhov so hard to mount? His characters are vivid, his dialogue piercing, his settingsspecific and true.</p><p> And yet time and time again one sees aChekhov play that doesn't satisfy.</p><p> Last season CSC mounted an excellent Three Sisters, the rare exception.</p><p> But more often one walks away unsatisfied.</p><p> I recently saw Zoe Wannamaker, Simon Russell Beale and an excellent cast in London fail to bring to lifeThe Cherry Orchard.</p><p> Much the same happens here with Dianne Wiest and John Turturro.</p><p> Since the cast -- including Juliet Rylance and Josh Hamilton, both good -- is top-notch, one has to look at directorAndrei Belgrader for not overcoming the difficult task of making it work.</p><p> As often happens at Classic Stage Company, the intimate space and limited funds bring out the best in the set designer.</p><p> Here Santo Loquasto creates a circular stage with a faded white covering, stained anddirty looking.</p><p> Huge billowy curtains contain the space until each act begins, with drapes that had been billowing out into the audience (and making it difficult to walk to your seat) lit from within to capture a poignant image and then whipped away.</p><p> Sadly, these are the dramatic high points of the evening.</p><p> Ranevskaya (Wiest) is returning from Paris, where she was frittering away the last remaining bit of money in her possession.</p><p> Paralyzed by her fading fortunes and a fading way of life, she is simplyincapable of responding to the pleas of the successful businessman Lopakhin (a solid Turturro).</p><p> The sonof a former slave of hers, Lopakhin has a plan to "save" Ranevskaya.</p><p> It involves demolishing herancestral home and chopping down her beloved cherry orchard to build weekend getaways for theburgeoning middle class.</p><p> Yes, it means ending everything she's ever loved, but that will happen anywayand at least she'd have a substantial income out of it.MOST POPULAR ON HUFFPOST 1 of 2 Isaac Balloons Into A Hurricane, New Orleans Threatened GOP Candidate Compares Pregnancy From Rape To What? Limbaugh's Wild Isaac Conspiracy MAP: Hurricane Isaac's Path Aims For Gulf Coast Sylvester Stallone's Half- Sister Dies At 48 PHOTO: Christina Aguilera's 'Your Body' Dress Doesn't FOLLOW US Celebrity TV Political Hollywood Features Hollywood Buzz Videos August 28, 2012 Edition: U.S.</p><p> John Hillcoat Sen.</p><p> Ben Cardin Harry Shearer Jeffrey SachsHOT ON THE BLOG Like 102 Posted: 12/06/11 01:54 PM ET SHARE THIS STORY Submit this storyGet Entertainment Alerts Sign Up Recommend 611 Recommend 18k Like 6k Recommend 180 Recommend 241Electronic Dance Music Political Hollywood The Avengers One Direction Armchair Detective More Log in Create AccountOf course, she doesn't, she can't act.</p><p> The play is filled with people who fail to see their own best interests or at best fail to act on them.</p><p> Lopakhin can't bring himself to ask for the hand of Varya (Rylance) or evenlook at her very much, even though she seems ideally suited to him.</p><p> The servant Dunyasha (a flatElisabeth Waterston) ignores the bumbling Epikodov (Michael Urie) in favor of the rascal Yasha (Slate Holmgren).</p><p> And so on and so forth.</p><p> Wiest has a nice, unmoored feeling about her and Turturro handles the blunt practicality of Lopakhin with ease.</p><p> Moment to moment, most of the cast is fine but it never coheres into a singular, piercing vision of the desperate straits we are witnessing.</p><p> The marvelous actress Rylance for example is positively unhinged by the pratfalling of Epikodov.</p><p> Yes, of course she's letting her frustration with Lopakhin get the better of her and taking it out on the poor fool, but still her tirades feel out of proportion.</p><p> That humorous figure is always a good sign of the play's health.</p><p> When the humor feels forced or out of place as it does here, it's likely the show is out of whack as well. (It will be nice to see Urie in How To Succeed soon).</p><p> Should I use a cooking metaphor or some other elaborate explanation of how tricky Chekhov is and howone must get it just right or it doesn't work at all? Discuss the difficulty of dramatizing boredom (orennui or lethargy or whatever you want to call it)? This Orchard simply doesn't work.</p><p> Roberta Maxwell has fun as the eccentric servant Charlotta, interacting with the audience in a casually playful manner, doing card tricks, sharing a pickle, taking someone's seat and so on.</p><p> It works and yet it has nothing to do with the world that Chekhov has created and so ultimately it's a distraction.</p><p> Something is wrong when Charlotta is what you remember best from The Cherry Orchard.</p><p> Wiest is certainly up to the task.</p><p> She says her goodbye to that beloved nursery, exits and then quietly returns to peek back one last time, packing more emotion into that final desperate glance than we've felt all night.</p><p> But what should have been the heartbreaking final moment was in fact the first realization thatsomething of import was happening at all.</p><p> THE MAN WHO CAME TO DINNER ** THEATRE AT ST.</p><p> CLEMENT'SPeople keep tackling The Cherry Orchard because it's so hard.</p><p> And surely they keep tackling the hoary comedy by Moss Hart & George S.</p><p> Kaufman because it's so easy.</p><p> Plus you've got some two dozen speaking parts so everybody -- and I do mean everybody -- gets to play a role.</p><p> No need for anyone to feel left out when mounting The Man Who Came To Dinner around the country in high schools and community theater.</p><p> That doesn't change the fact that it hasn't aged well in the least.</p><p> It's the sort of boulevard comedy where name-dropping famous people and ritzy places is the height of sophistication.</p><p> If a gigantic, empty Egyptian sarcophagus appears in one scene, you can be certain someone will be bundled into it by the next.</p><p> Jim Brochu plays Sheridan Whiteside, the man of letters who slips on a front doorstep and finds himself marooned for weeks in the wasteland of Mesalia, Ohio.</p><p> Whiteside is rude, arrogant, insufferable andfamous, with the fame part getting him a pass from the easily cowed people of the town.</p><p> Brochu has beenplaying Zero Mostel in the one-man show Zero Hour so he's not afraid to chew the scenery.</p><p> But his Whiteside is a pussycat.</p><p> After an opening scene where he mocks one and all, Whiteside proves basicallysweet, charming the servants, making nice with the children and so on.</p><p> His only fault is in trying to stophis girl Friday Maggie Cutler (Any Landon) from falling in love with a local (Jay Stratton's Bert Jefferson)and leaving him.</p><p> Hijinks most definitely ensue, including a doctor who has written an imposing memoir about his career that he'd love Whiteside to read, a battle ax of a nurse suffering under Whiteside's unimaginative insults,wacky showbiz friends like Banjo (Joseph R.</p><p> Sicari doing his best Jimmy Durante whether you want himto or not), a bunch of convicts, a choir boy, local busybodies, and much more.</p><p> John Windsor-Cunningham strikes the right foppish note as the actor Beverly Carlton but no one is particularly good or bad.</p><p> The comedy is too generic and indifferent for that.</p><p> Like other Hart & Kaufmanshows (namely the tiresomely eccentric You Can't Take It With You ), this star vehicle is simply too rickety and unstable.</p><p> It inspired a very nice set by Harry Feiner and the cast is having fun.</p><p> Unfortunately,they're having more fun than you will.</p><p> The Theater Season 2011-2012 (on a four star scale) The Agony And The Ecstasy Of Steve Jobs ** 1/2 All-American ** All's Well That Ends Well/Shakespeare in the Park ** The Atmosphere Of Memory 1/2 * Bonnie & Clyde feature profile of Jeremy Jordan Broadway By The Year: 1997 ** 1/2 The Cherry Orchard with Dianne Wiest ** Chinglish * 1/2 Leave Much To The Imagination GOP Approves Abortion Ban 10 Famous Faces Tied To The GOP Robert Pattinson's Getting Some 'Sexy, Funny Texts' From This Songstress DON'T MISS HUFFPOST BLOGGERS 1 of 5 John Hillcoat Lawless: Reinventing the Gangster Sen.</p><p> Ben Cardin This Is No Way to Win an Election TOP VIDEO 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Think For Yourself and Find Out For Yourself.</p><p> Scientology.org/What_Is_Scientology Woman is 53 But Looks 27 53/YO Mom reveals a simple wrinkle trick that has angered doctors... www.ConsumerLifestyleMag.com New Policy in New York June 2012: Drivers w/ no DUIs eligible for up to 50% off car insurance TheFinanceAuthority.com Look Young in 17 Seconds Long Island City Doctor Has Lazy Way To Look Years Younger in 17 Seconds DoctorSkincareSecretRevealed.com More in Entertainment...</p><p> Advertise | Log In | Make HuffPost your Home Page | RSS | Careers | FAQRecency | PopularityComments 0 Pending Comments 0 View FAQ Comments are closed for this entry View All User Agreement | Privacy | Comment Policy | About Us | About Our Ads | Contact Us Copyright © 2012 TheHuffingtonPost.com, Inc. | "The Huffington Post" is a registered trademark of TheHuffingtonPost.com, Inc.</p><p> All rights reserved.</p><p> Part of AOL-HuffPost Entertainment