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Best Soundtracks 2006

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Film music that scored Great soundtracks that matched sight and sound BY MICHAEL GILT~ A great film score doesn't always equal a great soundtrack. (Do you really want to listen to the John Williams music for "Jaws" while driving home?) And sometimes a bad movie can produce a great soundtrack. ("Streets of Fire," anyone?).</p><p> So, after you buy the "Dreamgirls" CD, hel'e are the best soundtracks and scores re­ leased in 2006 -the CDs you'll actually want to listen to after the movie is over. • "LEONARD COHEN: I'M YOUR MAN" This concert film tribute to the Canadian musical bard was peopled by curator Hal Willner with built-to-endure talents like Antony.</p><p> U2 and Rufus Wainwright.</p><p> Among many highlights , Teddy Thomp­ son's aching "Tonight Will Be Fine" stands out, II "LITTLE MISS SUNSHINE" The secret weapon in this indie comedy's success­ ful run at the box office was the play­ ful score of Mychael Danna, along with Sufjan Stevens and super­ freak Rick James thrown in for good measure. • "THE ILLUSIONIST" Philip Glass de­ livers a more typical score for "Notes on a Scandal," but here proves how adaptable his distinctive, increasingly romantic style is, ..</p><p> SING·A·LONGS & LULLABIES FOR THE FILM "CURIOUS GEORGE" No other movie soundtrack united the entire family the way this amiable work did, thanks to mellow surf­ er-musician Jack Johnson, songs like "Up­ side Down" and friends like rockers the White Stripes, .. "THE PROPOSITION" Nick Cave and War­ ren Ellis of the Bad Seeds deliver the eeriest, most provocative score for a Western since Neil Young's music for "Dead Man." Spooky.</p><p> I'll "A PRAIRIE HOME COMPANION" DELUXE EDITION Garrison I~eillor, Lily Tomlin, Woody limreison and Meryl Streep ail shine as per· lormers in Robert Altman's final film.</p><p> The t'OIlUS DVD contains even more treasures. j THE J MONKEY SHINES "Curious George" had swin· gin'tunes. " "THE FOUNTAIN" Audiences may have been confused by this ro­ mantic sci-fi-fantasy, but the mourn­ ful score by Clint Mansell (with help fmm Kronos Quartet and Mogwai) won't be de­ nied, II "BABEL" The globe-trotting movie has an appropriately globe-trotting soundtrack with moody film music by Gustavo Santaolalla alongside Japanese pop and a good helpirig of norteno. ' . • "VOLVER" Pedro Almodovar's long-term : collaboration with composer Alberto Iglesias is the most fruitful in cinema since Federico Fellini stayed faitllful to Nino Rota.</p><p> III "BREAKFAST ON PLUTO" An eccentric, winning collection of offbeat pop songs, like Harry Nilsson's "Me and My A!TOW," the title tune by Don Partridge and even, yes, Morris Albert's U Feelings," which takes on creepy connotations after you've seen the film .•