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Michael Giltz
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Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: "The Agony And The
Ecstasy Of Steve Jobs"
THE AGONY AND THE ECSTASY OF STEVE
JOBS ** 1/2
THE PUBLIC THEATER
The storyteller Mike Daisey is new to me. I'd been
hearing about his work for years -- The Last Cargo Cult,
How Theater Failed America and so on -- all of them
invariably intriguing and well-reviewed. He's clearly a
Spalding Gray 2.0, combining stories with
autobiography and journalism in a unique and
fascinating manner.
And what awkward, wonderful serendipity. Daisey has
been touring and refining this piece about his love of
Apple and how it collided with the company's use of child labor in China for more than a year. Now he's
opening in New York just days after Jobs died and the world has turned the tech titan overnight from a
brilliant and wealthy businessman into a cross between Thomas Edison and Gandhi (but better!).
We were assured by the Public that the show would go on, while respectfully offering its condolences to
the Jobs family, the staff at Apple and those who knew him. It needn't have worried. This show is firstand foremost a love letter to technology in general and Daisey's obsession with Apple. That love may be
disillusioned by the end (Daisey compares it at one point to a battered wife and he'd only reached his
frustration over "forced updates" for software). But love it is.
The set is stark and simple, with a glass-topped desk, a chair, a glass of water and a neat stack of paper,
apparently with notes on them. If they were written in Daisey's own hand, consider that one more nod to
FOLLOW US
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November 24, 2011
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Posted: 10/17/11 11:23 PM ET
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Jobs, who Daisey tells us was profoundly inspired by a college course on calligraphy. Behind Daisey is a
stark metal frame that soon is illuminated with l.e.d. lights for a vaguely technological aura that'sstraightforward and effective, if a little too reductive towards the end when the lights break down briefly
into random patterns to reflect Daisey's confusion and unhappiness. (That effective set and lighting
design is by Seth Reiser; Jean-Michele Gregory directed.)
Daisey takes to the stage and launches into his tale. He's in a lawless area of Honk Kong that I've visited
and which he describes well, an area where you can purchase literally anything from drugs and sex in
various combinations to pirated copies of anything and everything. Daisey's drug of choice? An iPhone
that can be "jail-breaked," or set free so it can be used all over the world and be unconstrained by the
limits Apple would place on it.
Daisey's style is at first a little manic, but it's just like the loud Hawaiian shirts he dons when trying to
bumble his way into interesting conversations a la Columbo. Daisey addresses each part of the audience,
side to side and front to back, with an almost carnival barker air, transparently letting you into the
pleasures of his performance. His voice rises and falls, he lets out a yowlp when necessary and after a
dramatic peak is reached and a change in setting is due, Daisey quietly turns over one sheet from thatstack of papers and we prepare for the switch.
Even someone like myself who enjoys tech toys but would rather run in fright than read a manual or take
apart a computer can savor Daisey's obsession with Apple. He relaxes after monologues -- Daisey tells us
-- by stripping down his laptop and cleaning each part with pressurized air before putting the 40 odd
pieces back together again.
He garners laughter by showing himself hypnotized by one of Jobs' legendary press conferences. Daisey
didn't know he needed a new router but after Jobs has spoken, suddenly he's moaning like a baby or a
hungry elephant: "I wannna a new router! I wanna new router!" When an actor can get laughs by saying
his current router is an 802.11G and the "G" is said dismissively and hatefully and the audience giggleshelplessly, you know he's tapping into something more primal than one particular obsession. "Its soooo
sloooooooow!" moans Daisey. But the 802.11N -- and here the "N" is said with lasvicious, joyful, even
worshipful glee -- is fassssst and we laugh again.
Where does this story go? It begins with Daisey jail-breaking that iPhone and in the end he hopes rather
bluntly to jail-break us from our obsession with the latest toys and our refusal to acknowledge what weknow to be true: that our Apple products and indeed much of our treasured items come from countrieslike China where children as young as 12 work punishing hours, where adults (meaning someone in their
mid-20s) whose hands have become mangled and clumsy due to years of repetitive labor are tossed aside
and where anyone daring to form a union is jailed or worse.
When Daisey is spinning his story, he makes these points far more eloquently than I just did. He travels
to an economic free zone in Southern China called Shenzhen and starts talking with the employees who
come out of the gigantic factories of Foxconn Technology Group, the single biggest manufacturer of
electronics in the world. Daisey says literally 50% of all electronic products in the world are piecedtogether there. The company became infamous when a string of employee suicides garnered internationalattention; but China soon clamped down on its news media and the stories in the world press quickly
dried up.
Daisey creates a very strong narrative, at first. The interpreter he calls "Kathy" doesn't want to believe the
tragic stories of the workers but knows them to be true. A young female worker talks about her long
hours and Daisey says, hey you look pretty young, how old are you and she blithely says 14. One trulyremarkable passage involves a man who had been fired after his hand was horribly mangled when it wascaught in a machine. (Needless to say, the man received no medical treatment and was summarily
dismissed.) When this man -- who was risking a great deal to meet with Daisey -- said he had been
working on the iPad assembly line when the accident occurred, Daisey reached into his bag and pulledout an iPad itself and handed it to the man.
None of the employees who work in these factories can actually afford to own an iPhone or iPad. (And
the factories are massive -- their cafeterias seat literally tens and tens of thousands of people at a time.)
The man's face beamed as he held the iPad. Daisey had turned it on and the screen lit up with icons. The
man brushed his gnarled, useless hand over the surface and the pages flew by with app after app ondisplay. Someone with less skill might have stopped right there, but Daisey knew the kicker was the smileon the man's face as he told the interpreter, "It's a kind of magic."
It's a pity Daisey didn't trust his own skills as a performer, the magic of theater and stories in general to
get his point across. Unfortunately, as the show progresses and especially towards the end, he stopsMOST POPULAR ON HUFFPOST 1 of 2
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repeatedly to chide us and tell us in bald, straightforward language what the show has been illustrating
all along about these products we love and the conditions under which they're made. But the call to arms
and the insistence that you really, really pay attention to what you're learning brings everything to a
grinding halt in theatrical terms. Daisey tells us near the end that our keyboards are soaked in blood, aham-handed image (however technically accurate) that isn't nearly as forceful as the people he brings to
life throughout the night.
When the audience leaves the theater, they're handed a one page action sheet, suggesting what a person
moved by the show might want to do next. For example, you can email Apple's CEO Tim Cook at
tcook@apple.com and politely call for genuine outside oversight of factories in China. (Maybe he'd like tofinally return the calls of China Labor Watch? ) That's exactly where such calls to action belong. On stage,
Daisey lost faith not just in Apple but a tiny bit in what he does best. Steve Jobs taught everyone the
same lesson: the ungainly and awkward is inherently bad and you should never release your work until
it's elegant and beautiful in every way.
The Theater Season 2011-2012 (on a four star scale)
The Agony And The Ecstasy Of Steve Jobs ** 1/2
All's Well That Ends Well/Shakespeare in the Park **
Broadway By The Year: 1997 ** 1/2
Crane Story **
Cymbeline at Barrow Street Theatre ***
Follies *** 1/2
Hair ***
Hero: The Musical * 1/2
Lake Water **
Master Class w Tyne Daly ** 1/2
Measure For Measure/Shakespeare in the Park ***
The Mountaintop ** 1/2
Newsies **
Olive and The Bitter Herbs ** 1/2
One Arm ***
The Select (The Sun Also Rises) ** 1/2
Septimus & Clarissa *** 1/2
Silence! The Musical * 1/2
Spiderman: Turn Off The Dark * 1/2
The Submission **
Sweet and Sad **
Unnatural Acts ***
We Live Here **
Zarkana **
NEW YORK MUSICAL THEATRE FESTIVAL 2011
Blanche: The Bittersweet Life Of A Wild Prairie Dame *** 1/2
Central Avenue Breakdown ** 1/2
Crazy, Just Like Me ***
Cyclops: A Rock Opera *
Ennio: The Living Paper Cartoon ** 1/2
F---ing Hipsters **
Ghostlight **
Gotta Getta Girl ** 1/2 for staged reading
Greenwood *
Jack Perry Is Alive (And Dating) * 1/2
Kiki Baby ** 1/2
Kissless * 1/2
Madame X **
The Pigeon Boys ***
Time Between Us * 1/2
Tut **
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Of All Time Revealed!
Scotty McCreery's Big Lip
Sync Fail At Thanksgiving
Day Parade
The Smartest Show On TV
Proves It With Secret
Scene
Jimi Hendrix Named
Greatest Guitarist
Of All...
Robert Wagner:
Murder Suspect On
'NCIS'
Daniel Radcliffe
Almost Wasn't Harry
Potter
'Community':
Beetlejuice Secret
Easter Egg In
Halloween...Araby *
The Bardy Bunch **
Books On Tape ** 1/2
Civilian **
Hard Travelin' With Woody ***
Leonard Cohen Koans *** 1/2
The More Loving One **
The Mountain Song *** 1/2
Paper Cuts ***
Parker & Dizzy's Fabulous Journey To The End Of The Rainbow ** 1/2
Pearl's Gone Blue ***
Rachel Calof ** 1/2
Romeo & Juliet: Choose Your Own Ending **
2 Burn * 1/2
Walls and Bridges **
What The Sparrow Said ** 1/2
Yeast Nation ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox, a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and alsoavailable for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz was provided with free tickets to these show with the understanding that he would
be writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Buy a link here Sponsored Links
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Michael Giltz
Freelance writerGET UPDATES FROM MICHAEL GILTZ
Read more
Entertainment News
2 27 0 0React
Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: "The Agony And The
Ecstasy Of Steve Jobs"
THE AGONY AND THE ECSTASY OF STEVE
JOBS ** 1/2
THE PUBLIC THEATER
The storyteller Mike Daisey is new to me. I'd been
hearing about his work for years -- The Last Cargo Cult,
How Theater Failed America and so on -- all of them
invariably intriguing and well-reviewed. He's clearly a
Spalding Gray 2.0, combining stories with
autobiography and journalism in a unique and
fascinating manner.
And what awkward, wonderful serendipity. Daisey has
been touring and refining this piece about his love of
Apple and how it collided with the company's use of child labor in China for more than a year. Now he's
opening in New York just days after Jobs died and the world has turned the tech titan overnight from a
brilliant and wealthy businessman into a cross between Thomas Edison and Gandhi (but better!).
We were assured by the Public that the show would go on, while respectfully offering its condolences to
the Jobs family, the staff at Apple and those who knew him. It needn't have worried. This show is firstand foremost a love letter to technology in general and Daisey's obsession with Apple. That love may be
disillusioned by the end (Daisey compares it at one point to a battered wife and he'd only reached his
frustration over "forced updates" for software). But love it is.
The set is stark and simple, with a glass-topped desk, a chair, a glass of water and a neat stack of paper,
apparently with notes on them. If they were written in Daisey's own hand, consider that one more nod to
FOLLOW US
'Titanic' Trailer! Celebs On Parade
'DWTS' Reunion Jean Paul Gaultier:
From the Catwalk to
the...EDITION: U.S.
November 24, 2011
Like 63
Posted: 10/17/11 11:23 PM ET
SHARE THIS STORY
Submit this storyGet Entertainment Alerts
Sign UpPHOTO GALLERIESCONNECT
FRONT PAGE POLITICS BUSINESS ENTERTAINMENT TECH MEDIA LIFE & STYLE CULTURE COMEDY HEALTHY LIVING WOMEN LOCAL MORELike 51KMusic Movies Rihanna Television Game Changers 2011 More Log in
Jobs, who Daisey tells us was profoundly inspired by a college course on calligraphy. Behind Daisey is a
stark metal frame that soon is illuminated with l.e.d. lights for a vaguely technological aura that'sstraightforward and effective, if a little too reductive towards the end when the lights break down briefly
into random patterns to reflect Daisey's confusion and unhappiness. (That effective set and lighting
design is by Seth Reiser; Jean-Michele Gregory directed.)
Daisey takes to the stage and launches into his tale. He's in a lawless area of Honk Kong that I've visited
and which he describes well, an area where you can purchase literally anything from drugs and sex in
various combinations to pirated copies of anything and everything. Daisey's drug of choice? An iPhone
that can be "jail-breaked," or set free so it can be used all over the world and be unconstrained by the
limits Apple would place on it.
Daisey's style is at first a little manic, but it's just like the loud Hawaiian shirts he dons when trying to
bumble his way into interesting conversations a la Columbo. Daisey addresses each part of the audience,
side to side and front to back, with an almost carnival barker air, transparently letting you into the
pleasures of his performance. His voice rises and falls, he lets out a yowlp when necessary and after a
dramatic peak is reached and a change in setting is due, Daisey quietly turns over one sheet from thatstack of papers and we prepare for the switch.
Even someone like myself who enjoys tech toys but would rather run in fright than read a manual or take
apart a computer can savor Daisey's obsession with Apple. He relaxes after monologues -- Daisey tells us
-- by stripping down his laptop and cleaning each part with pressurized air before putting the 40 odd
pieces back together again.
He garners laughter by showing himself hypnotized by one of Jobs' legendary press conferences. Daisey
didn't know he needed a new router but after Jobs has spoken, suddenly he's moaning like a baby or a
hungry elephant: "I wannna a new router! I wanna new router!" When an actor can get laughs by saying
his current router is an 802.11G and the "G" is said dismissively and hatefully and the audience giggleshelplessly, you know he's tapping into something more primal than one particular obsession. "Its soooo
sloooooooow!" moans Daisey. But the 802.11N -- and here the "N" is said with lasvicious, joyful, even
worshipful glee -- is fassssst and we laugh again.
Where does this story go? It begins with Daisey jail-breaking that iPhone and in the end he hopes rather
bluntly to jail-break us from our obsession with the latest toys and our refusal to acknowledge what weknow to be true: that our Apple products and indeed much of our treasured items come from countrieslike China where children as young as 12 work punishing hours, where adults (meaning someone in their
mid-20s) whose hands have become mangled and clumsy due to years of repetitive labor are tossed aside
and where anyone daring to form a union is jailed or worse.
When Daisey is spinning his story, he makes these points far more eloquently than I just did. He travels
to an economic free zone in Southern China called Shenzhen and starts talking with the employees who
come out of the gigantic factories of Foxconn Technology Group, the single biggest manufacturer of
electronics in the world. Daisey says literally 50% of all electronic products in the world are piecedtogether there. The company became infamous when a string of employee suicides garnered internationalattention; but China soon clamped down on its news media and the stories in the world press quickly
dried up.
Daisey creates a very strong narrative, at first. The interpreter he calls "Kathy" doesn't want to believe the
tragic stories of the workers but knows them to be true. A young female worker talks about her long
hours and Daisey says, hey you look pretty young, how old are you and she blithely says 14. One trulyremarkable passage involves a man who had been fired after his hand was horribly mangled when it wascaught in a machine. (Needless to say, the man received no medical treatment and was summarily
dismissed.) When this man -- who was risking a great deal to meet with Daisey -- said he had been
working on the iPad assembly line when the accident occurred, Daisey reached into his bag and pulledout an iPad itself and handed it to the man.
None of the employees who work in these factories can actually afford to own an iPhone or iPad. (And
the factories are massive -- their cafeterias seat literally tens and tens of thousands of people at a time.)
The man's face beamed as he held the iPad. Daisey had turned it on and the screen lit up with icons. The
man brushed his gnarled, useless hand over the surface and the pages flew by with app after app ondisplay. Someone with less skill might have stopped right there, but Daisey knew the kicker was the smileon the man's face as he told the interpreter, "It's a kind of magic."
It's a pity Daisey didn't trust his own skills as a performer, the magic of theater and stories in general to
get his point across. Unfortunately, as the show progresses and especially towards the end, he stopsMOST POPULAR ON HUFFPOST 1 of 2
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Than People Who Watch No
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repeatedly to chide us and tell us in bald, straightforward language what the show has been illustrating
all along about these products we love and the conditions under which they're made. But the call to arms
and the insistence that you really, really pay attention to what you're learning brings everything to a
grinding halt in theatrical terms. Daisey tells us near the end that our keyboards are soaked in blood, aham-handed image (however technically accurate) that isn't nearly as forceful as the people he brings to
life throughout the night.
When the audience leaves the theater, they're handed a one page action sheet, suggesting what a person
moved by the show might want to do next. For example, you can email Apple's CEO Tim Cook at
tcook@apple.com and politely call for genuine outside oversight of factories in China. (Maybe he'd like tofinally return the calls of China Labor Watch? ) That's exactly where such calls to action belong. On stage,
Daisey lost faith not just in Apple but a tiny bit in what he does best. Steve Jobs taught everyone the
same lesson: the ungainly and awkward is inherently bad and you should never release your work until
it's elegant and beautiful in every way.
The Theater Season 2011-2012 (on a four star scale)
The Agony And The Ecstasy Of Steve Jobs ** 1/2
All's Well That Ends Well/Shakespeare in the Park **
Broadway By The Year: 1997 ** 1/2
Crane Story **
Cymbeline at Barrow Street Theatre ***
Follies *** 1/2
Hair ***
Hero: The Musical * 1/2
Lake Water **
Master Class w Tyne Daly ** 1/2
Measure For Measure/Shakespeare in the Park ***
The Mountaintop ** 1/2
Newsies **
Olive and The Bitter Herbs ** 1/2
One Arm ***
The Select (The Sun Also Rises) ** 1/2
Septimus & Clarissa *** 1/2
Silence! The Musical * 1/2
Spiderman: Turn Off The Dark * 1/2
The Submission **
Sweet and Sad **
Unnatural Acts ***
We Live Here **
Zarkana **
NEW YORK MUSICAL THEATRE FESTIVAL 2011
Blanche: The Bittersweet Life Of A Wild Prairie Dame *** 1/2
Central Avenue Breakdown ** 1/2
Crazy, Just Like Me ***
Cyclops: A Rock Opera *
Ennio: The Living Paper Cartoon ** 1/2
F---ing Hipsters **
Ghostlight **
Gotta Getta Girl ** 1/2 for staged reading
Greenwood *
Jack Perry Is Alive (And Dating) * 1/2
Kiki Baby ** 1/2
Kissless * 1/2
Madame X **
The Pigeon Boys ***
Time Between Us * 1/2
Tut **
FRINGEFEST NYC 2011TOP VIDEO PICKS 1 of 9
MOST DISCUSSED RIGHT NOW 1of 2
HOT ON FACEBOOK 1 of 3
More Entertainment News at THR.com
More Celebrity News at People.comFor Bodysuits (Photos)
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Day Parade
The Smartest Show On TV
Proves It With Secret
Scene
Jimi Hendrix Named
Greatest Guitarist
Of All...
Robert Wagner:
Murder Suspect On
'NCIS'
Daniel Radcliffe
Almost Wasn't Harry
Potter
'Community':
Beetlejuice Secret
Easter Egg In
Halloween...Araby *
The Bardy Bunch **
Books On Tape ** 1/2
Civilian **
Hard Travelin' With Woody ***
Leonard Cohen Koans *** 1/2
The More Loving One **
The Mountain Song *** 1/2
Paper Cuts ***
Parker & Dizzy's Fabulous Journey To The End Of The Rainbow ** 1/2
Pearl's Gone Blue ***
Rachel Calof ** 1/2
Romeo & Juliet: Choose Your Own Ending **
2 Burn * 1/2
Walls and Bridges **
What The Sparrow Said ** 1/2
Yeast Nation ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox, a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and alsoavailable for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz was provided with free tickets to these show with the understanding that he would
be writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Buy a link here Sponsored Links
57-Year-Old Mom Looks 25
Mom Reveals Free Wrinkle Trick That Has Angered Doctors!
ConsumerLifestyles.org
We’ll Sing At Any Door!
Send Carolers To Your Friends With HomeGoods, Marshalls & T.J.Maxx!
www.ShareACarol.com
Map Your Flood Risk
Find Floodplan Maps, Facts, FAQs, Your Flood Risk Profile and More!
www.floodsmart.gov
New Trick in TENNESSEE
If you drive 25 mi/day or less you better read this...
Insurance.Comparisons.org
More in Entertainment...
HOT ON TWITTER 1of 2
HUFFPOST'S BIG NEWS PAGES
Volunteering
Weird News
Terrorism
Serena
Williams
Video
Holidays
TV
Latino Politics
Zimbabwe Buy a link here Sponsored Links
57-Year-Old Mom Looks 25
Mom Reveals Free Wrinkle Trick That Has Angered
Doctors!
ConsumerLifestyles.org
New Trick in TENNESSEE
If you drive 25 mi/day or less you better read this...
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Map Your Flood Risk
Find Floodplan Maps, Facts, FAQs, Your Flood Risk
Profile and More!
www.floodsmart.gov
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