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Michael Giltz
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Theatre , Video , Neil Labute , Paul Rudnick , Edward Hibbert , Off-Broadway ,
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Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: "Bullet" Shoots Blanks;
"Summer Shorts" Fall Short
SUMMER SHORTS SERIES B ** out of ****
BULLET FOR ADOLF * out of ****
SUMMER SHORTS SERIES B ** out of ****
59 E 59Theatrical shorts are a very forgiving format. When
you're seeing three or four brief plays in an evening, you're often quite friendly. You don't dread a short
play that doesn't immediately grab you -- hey, maybe it will get better and even if it doesn't, in 25minutes you'll be watching something else! Perhaps that explains why I didn't mind this slight evening ofplaylets from artists of considerable talent.
Paul Rudnick provides a monologue for the very talented Peter Bartlett called "Cabin Pressure." Bartlett
plays a flight attendant giving a speech when he receives the Medal of Freedom from the President forfoiling a terrorist. We soon learn the really annoying passenger wasn't the terrorist but a hedge fundmanager who kept being pushy and demanding and rude. We also learn our hero's partner is an out ofwork cake decorator who goes to AA and waves his hand whenever the flight attendant digresses, whichis about once or twice a sentence. Oh, there are amusing lines. Rudnick is incapable of delivering a piecewithout some amusing lines and Bartlett squeezes every bit of humor out of it with impeccable timing.Thanking this and that person and "whomever is managing Lindsay Lohan" may be sort of amusing, but
Rudnick can do this sort of thing in his sleep. And compared to his far superior work in the recent
Standing On Ceremony collection of one-acts about gay marriage, this falls short. Still, there are worse
ways of spending an evening than enjoying Bartlett nail his lines.
"Love and Real Estate" is a curious musical by two talents new to me. Sam Davis (music) is a top
arranger and conductor with some intriguing composing work under his belt (like the upcomingBunnicula .) Sean Hartley (book and lyrics) has delivered some acclaimed work I didn't get a chance to
see. This tale -- very vaguely linked to "The Three Little Pigs" -- is about three sisters who move to NewYork City and are preyed upon by a charming wolf who desires not their flesh but their fabulousapartments. (Any New Yorker can relate.) It's a rather static affair that heads exactly where you think itwill, with a capable cast. They're all overshadowed by Edward Hibbert who plays the narrator anddelivers the one distinctive number, a novelty piece called "Love and Real Estate" with his usual aplomb.MOST POPULAR ON HUFFPOST 1 of 2
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"The Furies" is the final and least satisfying piece. However it also brings up the vagaries of live theater
and small spaces. For some reason, multiple audience members in the back few rows seemed to exit andenter during this piece, creating a constant source of tension and interruption. Maybe that explains whythe actors never seemed to find their rhythm in this moribund piece about an older man trying to breaksome news to an erstwhile boyfriend, who is shadowed by his angry, defiant sister. All three are distincttypes and remain exactly true to form from beginning to end. The sister (Alicia Goranson) whispers intoher brother's ear throughout until the finale where she lets loose with a long monologue about how shewill make the older man's life miserable if he's lying to them. Unfortunately, that tirade is so repetitiveand dull you don't feel the anger of a fury, just an impatience for something to happen you couldn't see a
mile off. And while one must remember the especially fidgety audience for this particular performance,
Victor Slezak as the older man was notably stumbling over his lines all night long.
And yet for all that, because it was a night of shorts and they were blessedly brief and the whole affair was
over in 90 minutes, the evening was far less of a drag than it might have been at a single show of similar
quality. A second set of shorts called Series A is also in rotation and reportedly received significantly
kinder reviews.
BULLET FOR ADOLF * out of ****
NEW WORLD STAGES
It would be nice to report that the talented performer Woody Harrelson's work as a co-writer and director
was as his good as his acting. That ain't gonna happen but as flat as this comic drama fails, it is not faint
praise to say it fails memorably and completely. It falls on its face but at least it falls rather than just
sitting there, like so many other tepid tales. And as a director, Harrelson wisely encourages his actors toact their asses off. If it isn't working, you might as well let loose and make as much noise as possible.
The story is drawn very, very loosely from his days in construction before he made it big and is co-written
with a buddy from those days, Frankie Hyman. It's set in 1983 as the pop music that blares loudlythroughout the theater before the show begins makes abundantly clear. (Again, turn it up! What thehell!) Then come a barrage of clips containing pop cultural moments and highlights of that era, rangingfrom MTV to AIDS to Ronald Reagan and so on. At first it seemed desperate. Were they that worriedwe'd forget what year the play was set? But as the show progressed, the well-chosen barrage of clipsproved the most entertaining segment so I actually looked forward to them.
The storylines hardly bear repeating since they're so confusing and convoluted. They seem like entirely
separate tales; when the characters start bumping into each other, it's almost a shock. You've got a couple
of guys working on a construction site for a dour German. One of them is fired and this dude, who insists
he be called the "Dago-Czech" and dubs himself a brother to boot, declares he will get revenge. Actor LeeOsorio plays him with red meat verve; if Harrelson told the rest to turn it up to 11, Osorio decided 22
would be twice as good. Again, why not?
Then you've got one of the construction guys with a mild history of embezzlement named Frankie. He
goes on a job interview and rather oddly starts to hit on the beautiful woman he's hoping to work for,raving about the sunset, barely bothering to describe his credentials before asking her on a date and soon. It's hard to describe how awkwardly unconvincing all this is. You think for a while they're trying for acertain tone or heightened reality or maybe Harrelson has some grander purpose, but in fact it's justweirdly off on every level. Throw in an 18 year old girl, a guy who may or may not be closeted and thatGerman's antique Luger which was used to attempt an assassination of the Fuhrer and you've gotyourself a play. Sort of. At least, the gun goes missing.
The first act ends with a frantic dinner party. Racial taunts are tossed out and dialogue is traded but none
of it makes any sense -- none of it ever does. At one point a character laments the Germans doing him
wrong and asks if it's all some sort of Teutonic plot. To which the 18 year old girl responds apropos of
nothing that he better stop treating her like a little kid. Huh? You'll be saying that a lot if you go seeBullet For Adolf .
Despite the utter lack of logic here, the actors soldier on. The women come off better than the men, withMarsha Stephanie Blake delivering some humor as the no-nonsense Shareeta. The talented ShamikaCotton (such a hateful mother in The Wire! ) has an appealing presence. And Shannon Garland almost
makes some sense out of that 18 year old kid. The men have less success, with Tyler Jacob Rollinson asFrankie and Nick Wyman as Jurgen the German coming off best. And Imaginary Media delivered thevideo montages that are peppered throughout. I didn't think I wanted to see a string of old sodacommercials, but darned if seeing Telly Savalas plug a pop didn't make me laugh.
Here's Woody Harrelson chatting about the play on The View.
Dr. Peggy Drexler
Why It’s Important To Let Your
Child Make Mistakes
Gary Hart
Welcome to the American
Republic, Mr. Eastwood
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@HuffPostTV
FOLLOW ENTERTAINMENTTHE THEATER SEASON 2012-2013 (on a four star scale)
As You Like it (Shakespeare In The Park w Lily Rabe) ****
Chimichangas And Zoloft *
Closer Than Ever ***
Cock ** 1/2
Harvey with Jim Parsons *
My Children! My Africa! ***
Once On This Island ***
Potted Potter *
Storefront Church ** 1/2
Title And Deed ***
Picture Incomplete (NYMF) **
Flambe Dreams (NYMF) **
Rio (NYMF) **
The Two Month Rule (NYMF) *
Trouble (NYMF) ** 1/2
Stealing Time (NYMF) **
Requiem For A Lost Girl (NYMF) ** 1/2
Re-Animator The Musical (NYMF) ***
Baby Case (NYMF) ** 1/2
How Deep Is The Ocean (NYMF) ** 1/2
Central Avenue Breakdown (NYMF) ***
Foreverman (NYMF) * 1/2
Swing State (NYMF) * 1/2
Stand Tall: A Rock Musical (NYMF) * 1/2
Living With Henry (NYMF) *
A Letter To Harvey Milk (NYMF) ** 1/2
The Last Smoker In America **
Gore Vidal's The Best Man (w new cast) ***
Into The Woods at Delacorte ** 1/2
Bring It On: The Musical **
Bullet For Adolf *
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox , a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and alsoavailable for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz is provided with free tickets to shows with the understanding that he will be
writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
More in Entertainment...
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Featuring fresh takes and real-time analysis from
HuffPost's signature lineup of contributors
Michael Giltz
Freelance writerGET UPDATES FROM MICHAEL GILTZ
Follow
Theatre , Video , Neil Labute , Paul Rudnick , Edward Hibbert , Off-Broadway ,
Entertainment NewsReact
Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: "Bullet" Shoots Blanks;
"Summer Shorts" Fall Short
SUMMER SHORTS SERIES B ** out of ****
BULLET FOR ADOLF * out of ****
SUMMER SHORTS SERIES B ** out of ****
59 E 59Theatrical shorts are a very forgiving format. When
you're seeing three or four brief plays in an evening, you're often quite friendly. You don't dread a short
play that doesn't immediately grab you -- hey, maybe it will get better and even if it doesn't, in 25minutes you'll be watching something else! Perhaps that explains why I didn't mind this slight evening ofplaylets from artists of considerable talent.
Paul Rudnick provides a monologue for the very talented Peter Bartlett called "Cabin Pressure." Bartlett
plays a flight attendant giving a speech when he receives the Medal of Freedom from the President forfoiling a terrorist. We soon learn the really annoying passenger wasn't the terrorist but a hedge fundmanager who kept being pushy and demanding and rude. We also learn our hero's partner is an out ofwork cake decorator who goes to AA and waves his hand whenever the flight attendant digresses, whichis about once or twice a sentence. Oh, there are amusing lines. Rudnick is incapable of delivering a piecewithout some amusing lines and Bartlett squeezes every bit of humor out of it with impeccable timing.Thanking this and that person and "whomever is managing Lindsay Lohan" may be sort of amusing, but
Rudnick can do this sort of thing in his sleep. And compared to his far superior work in the recent
Standing On Ceremony collection of one-acts about gay marriage, this falls short. Still, there are worse
ways of spending an evening than enjoying Bartlett nail his lines.
"Love and Real Estate" is a curious musical by two talents new to me. Sam Davis (music) is a top
arranger and conductor with some intriguing composing work under his belt (like the upcomingBunnicula .) Sean Hartley (book and lyrics) has delivered some acclaimed work I didn't get a chance to
see. This tale -- very vaguely linked to "The Three Little Pigs" -- is about three sisters who move to NewYork City and are preyed upon by a charming wolf who desires not their flesh but their fabulousapartments. (Any New Yorker can relate.) It's a rather static affair that heads exactly where you think itwill, with a capable cast. They're all overshadowed by Edward Hibbert who plays the narrator anddelivers the one distinctive number, a novelty piece called "Love and Real Estate" with his usual aplomb.MOST POPULAR ON HUFFPOST 1 of 2
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Celebs React To Eastwood's
Wild SPeech
WATCH: Rachel Maddow At A
Loss For Words After Clint
Eastwood's RNC Speech
Eastwood Misfires
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Fox News: Report
Teen Heading To Sweet 16
Party, Pops His Head Out
Window, Dies
DON'T MISS HUFFPOST BLOGGERS 1 of 5FOLLOW USCelebrity TV Political Hollywood Features Hollywood Buzz Videos
September 1, 2012
Edition: U.S.
FRONT PAGE POLITICS BUSINESS MEDIA CELEBRITY TV COMEDY FOOD STYLE ARTS BOOKS LIVE ALL SECTIONS
Dr. Peggy Drexler Gary Hart
Rep. Dennis Kucinich Kevin MaurerHOT ON THE BLOG
HuffPost Social Reading
Like 107
Posted: 08/12/2012 11:15 pm
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"The Furies" is the final and least satisfying piece. However it also brings up the vagaries of live theater
and small spaces. For some reason, multiple audience members in the back few rows seemed to exit andenter during this piece, creating a constant source of tension and interruption. Maybe that explains whythe actors never seemed to find their rhythm in this moribund piece about an older man trying to breaksome news to an erstwhile boyfriend, who is shadowed by his angry, defiant sister. All three are distincttypes and remain exactly true to form from beginning to end. The sister (Alicia Goranson) whispers intoher brother's ear throughout until the finale where she lets loose with a long monologue about how shewill make the older man's life miserable if he's lying to them. Unfortunately, that tirade is so repetitiveand dull you don't feel the anger of a fury, just an impatience for something to happen you couldn't see a
mile off. And while one must remember the especially fidgety audience for this particular performance,
Victor Slezak as the older man was notably stumbling over his lines all night long.
And yet for all that, because it was a night of shorts and they were blessedly brief and the whole affair was
over in 90 minutes, the evening was far less of a drag than it might have been at a single show of similar
quality. A second set of shorts called Series A is also in rotation and reportedly received significantly
kinder reviews.
BULLET FOR ADOLF * out of ****
NEW WORLD STAGES
It would be nice to report that the talented performer Woody Harrelson's work as a co-writer and director
was as his good as his acting. That ain't gonna happen but as flat as this comic drama fails, it is not faint
praise to say it fails memorably and completely. It falls on its face but at least it falls rather than just
sitting there, like so many other tepid tales. And as a director, Harrelson wisely encourages his actors toact their asses off. If it isn't working, you might as well let loose and make as much noise as possible.
The story is drawn very, very loosely from his days in construction before he made it big and is co-written
with a buddy from those days, Frankie Hyman. It's set in 1983 as the pop music that blares loudlythroughout the theater before the show begins makes abundantly clear. (Again, turn it up! What thehell!) Then come a barrage of clips containing pop cultural moments and highlights of that era, rangingfrom MTV to AIDS to Ronald Reagan and so on. At first it seemed desperate. Were they that worriedwe'd forget what year the play was set? But as the show progressed, the well-chosen barrage of clipsproved the most entertaining segment so I actually looked forward to them.
The storylines hardly bear repeating since they're so confusing and convoluted. They seem like entirely
separate tales; when the characters start bumping into each other, it's almost a shock. You've got a couple
of guys working on a construction site for a dour German. One of them is fired and this dude, who insists
he be called the "Dago-Czech" and dubs himself a brother to boot, declares he will get revenge. Actor LeeOsorio plays him with red meat verve; if Harrelson told the rest to turn it up to 11, Osorio decided 22
would be twice as good. Again, why not?
Then you've got one of the construction guys with a mild history of embezzlement named Frankie. He
goes on a job interview and rather oddly starts to hit on the beautiful woman he's hoping to work for,raving about the sunset, barely bothering to describe his credentials before asking her on a date and soon. It's hard to describe how awkwardly unconvincing all this is. You think for a while they're trying for acertain tone or heightened reality or maybe Harrelson has some grander purpose, but in fact it's justweirdly off on every level. Throw in an 18 year old girl, a guy who may or may not be closeted and thatGerman's antique Luger which was used to attempt an assassination of the Fuhrer and you've gotyourself a play. Sort of. At least, the gun goes missing.
The first act ends with a frantic dinner party. Racial taunts are tossed out and dialogue is traded but none
of it makes any sense -- none of it ever does. At one point a character laments the Germans doing him
wrong and asks if it's all some sort of Teutonic plot. To which the 18 year old girl responds apropos of
nothing that he better stop treating her like a little kid. Huh? You'll be saying that a lot if you go seeBullet For Adolf .
Despite the utter lack of logic here, the actors soldier on. The women come off better than the men, withMarsha Stephanie Blake delivering some humor as the no-nonsense Shareeta. The talented ShamikaCotton (such a hateful mother in The Wire! ) has an appealing presence. And Shannon Garland almost
makes some sense out of that 18 year old kid. The men have less success, with Tyler Jacob Rollinson asFrankie and Nick Wyman as Jurgen the German coming off best. And Imaginary Media delivered thevideo montages that are peppered throughout. I didn't think I wanted to see a string of old sodacommercials, but darned if seeing Telly Savalas plug a pop didn't make me laugh.
Here's Woody Harrelson chatting about the play on The View.
Dr. Peggy Drexler
Why It’s Important To Let Your
Child Make Mistakes
Gary Hart
Welcome to the American
Republic, Mr. Eastwood
TOP VIDEO PICKS 1 of 8
MOST DISCUSSED RIGHT NOW 1 of 2
HOT ON FACEBOOK 1 of 3
HOT ON TWITTER 1 of 2
HUFFPOST'S BIG NEWS PAGESWhat Is Gene Simmons Doing
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Spencer Matthews TalksAbout The Bachelor Winner
Khloe
PETA: Rihanna And Lady
Gaga Are 'Freaks'
Legendary Songwriter
Dies At 91
Celebs React To
Eastwood's Wild SPeech
When Can You See The
Final 'Hobbit' Film?
aol
RetweetIn honor of Labor Day, here are
some of TV's hardest workers
http://t.co/XTjvtfGy via @HuffPostTV
aol
RetweetStaying in this Labor Day
Weekend? Here's what to watch onTV http://t.co/Ygqtb4U6 via
@HuffPostTV
FOLLOW ENTERTAINMENTTHE THEATER SEASON 2012-2013 (on a four star scale)
As You Like it (Shakespeare In The Park w Lily Rabe) ****
Chimichangas And Zoloft *
Closer Than Ever ***
Cock ** 1/2
Harvey with Jim Parsons *
My Children! My Africa! ***
Once On This Island ***
Potted Potter *
Storefront Church ** 1/2
Title And Deed ***
Picture Incomplete (NYMF) **
Flambe Dreams (NYMF) **
Rio (NYMF) **
The Two Month Rule (NYMF) *
Trouble (NYMF) ** 1/2
Stealing Time (NYMF) **
Requiem For A Lost Girl (NYMF) ** 1/2
Re-Animator The Musical (NYMF) ***
Baby Case (NYMF) ** 1/2
How Deep Is The Ocean (NYMF) ** 1/2
Central Avenue Breakdown (NYMF) ***
Foreverman (NYMF) * 1/2
Swing State (NYMF) * 1/2
Stand Tall: A Rock Musical (NYMF) * 1/2
Living With Henry (NYMF) *
A Letter To Harvey Milk (NYMF) ** 1/2
The Last Smoker In America **
Gore Vidal's The Best Man (w new cast) ***
Into The Woods at Delacorte ** 1/2
Bring It On: The Musical **
Bullet For Adolf *
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox , a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and alsoavailable for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz is provided with free tickets to shows with the understanding that he will be
writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
More in Entertainment...
Movies
Most Popular
Teen Impact
Oscar Pistorius
Turtles
Television
NCAA
Golf
Conde Nast
MORE BIG NEWS PAGES »
Like 75k GET ALERTS
Kellan Lutz On
'Twilight': 'I Didn't
Like...
Guy Pearce
'Prometheus'
Deleted Scene:
'They Could...
'The Hobbit: There
And Back Again'
Trilogy...
Anti-Obama
Documentary '2016'
Doing Well In
Ohio...
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