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Video , Cynthia Nixon Wit , Margaret Edson , Margaret Edson Wit , Cynthia Nixon
Broadway , Wit Broadway , Wit Play , Wit Review , Wit Show , Entertainment NewsReact
Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: Cynthia Nixon Brings Wit
to Broadway And Garners Raves
WIT ** 1/2 out of ****
MANHATTAN THEATRE CLUB AT SAMUEL J.
FRIEDMAN THEATRE
Context is everything. I saw Wit on Broadway recently
and found this production more satisfying than the
original Off Broadway version starring Kathleen
Chalfant. The supporting cast is stronger here, lettingthe work feel more like a full play rather like a one-woman show the way it did with Chalfant dominating
proceedings. But a new look at Margaret Edson's work reinforced my belief that this show is notsuccessful beyond its strong central character and becomes less interesting as the drama of watching ourheroine die takes over.
In this Pulitzer Prize winner, Nixon plays Vivian Bearing, a college professor who specializes in the
metaphysical poet John Donne. Chalfant seemed to live entirely in her mind and was somewhat cluelessabout her effect on those around the imperious professor. Nixon strikes a more vulnerable note, withBearing using her intellect more as a barrier or a way of ignoring the emotional emptiness in her life. Sheis stricken by cancer and we watch the all-too familiar stages as she is diagnosed, defiant, confused,angry and ultimately takes solace in the attention of those around her. It might be played as taking theprofessor down a notch -- this intellect who disdains the nurse as stupid is at the end of her lifedesperate for a shared moment of humanity. She is reduced or more accurately opened up to the
importance of others, whether it's a med student with terrible bedside manners or a nurse who politely
shares a popsicle, knowing how much patients need contact.
Neither production took this tack, choosing to view her ultimate emotional vulnerability as natural and
understandable. It's the same reason the new film about Prime Minister Margaret Thatcher focuses onher late-period dementia; sympathy comes easily to anyone seeing it, whatever you think of her politics.MOST POPULAR ON HUFFPOST 1 of 2
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Posted: 02/ 3/2012 5:58 pm
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Lynee Meadows smoothly directs Nixon, who like the play is stronger earlier on when Bearing is at her
best. The text by Margaret Edson simply isn't very interesting -- the general conceit of wit as an insight
into Donne or life in general simply doesn't flower here. The dig at the nurse might be seen as a
complicating view of Bearing, but it too doesn't register. The nurse isn't stupid, just uneducated or atleast certainly not as well educated as Bearing. I wish the play had made better use of the slight; it's acheap laugh that doesn't pay off later except in the most sentimental, obvious manner.
The cast is strong, with Michael Countryman good in dual roles, Suzanne Bertish very good as our
heroine's mentor, Carra Patterson strong in the straightforward role of the nurse and Greg Keller using a
funky voice and amusingly self-absorbed manner to score the strongest of any supporting player as Jason
Posner, the trainee who is as clueless as Bearing about social skills but bonds with her about research
and science.
Plus, a lovely grace note at the end is utterly ruined by Edson. When the friendless Bearing finally gets a
visit from her mentor, she moans over the possibility of being read Donne and instead they snuggle up to
a children's book. The sweet, simple rhythms of a picture book stand in stark contrast to the life of the
mind Bearing has embraced (or perhaps taken shelter in). It's not a condemnation on Bearing's life, justan acknowledgement that at the end simpler pleasures are called for. This gentle finale is spoiled byEdson clumsily having the mentor rather grandly and unnecessarily tacking on a quote from Hamletwhen a simple "The end" (the finale to every picture book and every life) or simple silence would haveserved much better. The great poets know what to leave unsaid.
In general, the reviews are much stronger than what I've written here. My complaint in general is with
the play, not Nixon or the production on display.
But what context was I referring to at the beginning? Shortly after seeing the show and before reviewing
it, suddenly two people I know were stricken unexpectedly with heart ailments. One is the sister of a best
friend; the other a friend I've known for 20 years. Both were unconscious and heavily sedated, with
multiple diagnoses confusing everyone. The woman is healthy and home, albeit with the lingering stressof an unusual ailment only recently identified and with no known treatment. The man died peacefullyafter it became clear he would never revive and -- per his instructions -- life support was removed.
Combine this with a visit to my increasingly frail father (not to worry; he'll never see this since he never
goes online and would stay on the Fox News website if he did) and I'm very glad I didn't have to see theshow this week. In that context, I'd probably cry like a baby. If anyone finds comfort and solace in thiswell-acted production, I'm glad. As a play, I don't think it will stand the test of time, though it's certainlya good vehicle for talented actresses in their 40s. As comfort for those facing the awful finality of deathfor themselves or someone else, I happily acknowledge any support Wit can offer.
Here's a link to the Wikipedia entry for Five Wishes , a living will that meets legal standards in 42 states
and DC. Everyone should fill one out to make precisely clear your wishes during a medical emergency.
The Theater Season 2011-2012 (on a four star scale)The Agony And The Ecstasy Of Steve Jobs ** 1/2
All-American **
All's Well That Ends Well/Shakespeare in the Park **
The Atmosphere Of Memory 1/2 *
Bob *** 1/2
Bonnie & Clyde feature profile of Jeremy Jordan
Broadway By The Year: 1997 ** 1/2
The Cherry Orchard with Dianne Wiest **
Chinglish * 1/2
Close Up Space *
Crane Story **
Cymbeline at Barrow Street Theatre ***
Dedalus Lounge * 1/2
An Evening With Patti Lupone and Mandy Patinkin ***
Follies *** 1/2
Fragments ***
The Gershwins' Porgy And Bess *** 1/2
Dr. Peggy Drexler
Why It’s Important To Let Your
Child Make Mistakes
Gary Hart
Welcome to the American
Republic, Mr. Eastwood
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RetweetIn honor of Labor Day, here are
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http://t.co/XTjvtfGy via @HuffPostTV
aol
RetweetStaying in this Labor Day
Weekend? Here's what to watch onTV http://t.co/Ygqtb4U6 via
@HuffPostTV
Godspell ** 1/2
Goodbar * 1/2
Hair ***
Hand To God ***
Hero: The Musical * 1/2
How The World Began * 1/2
Hugh Jackman: Back On Broadway ***
Irving Berlin's White Christmas ***
It's Always Right Now, Until It's Later *** 1/2
King Lear at Public with Sam Waterston **
Krapp's Last Tape with John Hurt ***
Lake Water **
Leo ***
Love's Labor's Lost at the PublicLab ** 1/2
Lysistrata Jones *
Man And Boy * 1/2
The Man Who Came To Dinner **
Maple And Vine **
Master Class w Tyne Daly ** 1/2
Measure For Measure/Shakespeare in the Park ***
Milk Like Sugar ***
Mission Drift * 1/2
Misterman ** 1/2
The Mountaintop ** 1/2
Newsies **
Pigpen's The Nightmare Story *** 1/2
Once *** 1/2
Olive and The Bitter Herbs ** 1/2
On A Clear Day You Can See Forever * 1/2
One Arm ***
Other Desert Cities on Broadway ** 1/2
Private Lives **
Queen Of The Mist ** 1/2
Radio City Christmas Spectacular ** 1/2
Relatively Speaking * 1/2
The Road To Mecca ** 1/2
Samuel & Alasdair: A Personal History Of The Robot War ** 1/2
The Select (The Sun Also Rises) ** 1/2
Seminar **
Septimus & Clarissa *** 1/2
Shlemiel The First ** 1/2
Silence! The Musical * 1/2
69 Degrees South * 1/2
Sons Of The Prophet *** 1/2
Sontag: Reborn *
Spiderman: Turn Off The Dark * 1/2
Standing On Ceremony: The Gay Marriage Plays **
Stick Fly **
The Submission **
Super Night Shot ** 1/2
Sweet and Sad **
The Table ** 1/2
Titus Andronicus at Public with Jay O. Sanders * 1/2
Unnatural Acts ***
Venus In Fur ***
We Live Here **
Wild Animals You Should Know ** 1/2
Wit ** 1/2
Zarkana **
NEW YORK MUSICAL THEATRE FESTIVAL 2011
Blanche: The Bittersweet Life Of A Wild Prairie Dame *** 1/2
Central Avenue Breakdown ** 1/2
Crazy, Just Like Me ***
Cyclops: A Rock Opera *
Ennio: The Living Paper Cartoon ** 1/2
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Ghostlight **
Gotta Getta Girl ** 1/2 for staged reading
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Madame X **
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Yeast Nation ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox , a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also
available for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz is provided with free tickets to shows with the understanding that he will be
writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Related News On Huffington Post:
More in Entertainment...
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Comments are closed for this entry
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Copyright © 2012 TheHuffingtonPost.com, Inc. | "The Huffington Post" is a registered trademark of TheHuffingtonPost.com, Inc. All rights reserved.
Part of AOL-HuffPost Entertainment
Featuring fresh takes and real-time analysis from
HuffPost's signature lineup of contributors
Michael Giltz
Freelance writerGET UPDATES FROM MICHAEL GILTZ
Follow
Video , Cynthia Nixon Wit , Margaret Edson , Margaret Edson Wit , Cynthia Nixon
Broadway , Wit Broadway , Wit Play , Wit Review , Wit Show , Entertainment NewsReact
Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: Cynthia Nixon Brings Wit
to Broadway And Garners Raves
WIT ** 1/2 out of ****
MANHATTAN THEATRE CLUB AT SAMUEL J.
FRIEDMAN THEATRE
Context is everything. I saw Wit on Broadway recently
and found this production more satisfying than the
original Off Broadway version starring Kathleen
Chalfant. The supporting cast is stronger here, lettingthe work feel more like a full play rather like a one-woman show the way it did with Chalfant dominating
proceedings. But a new look at Margaret Edson's work reinforced my belief that this show is notsuccessful beyond its strong central character and becomes less interesting as the drama of watching ourheroine die takes over.
In this Pulitzer Prize winner, Nixon plays Vivian Bearing, a college professor who specializes in the
metaphysical poet John Donne. Chalfant seemed to live entirely in her mind and was somewhat cluelessabout her effect on those around the imperious professor. Nixon strikes a more vulnerable note, withBearing using her intellect more as a barrier or a way of ignoring the emotional emptiness in her life. Sheis stricken by cancer and we watch the all-too familiar stages as she is diagnosed, defiant, confused,angry and ultimately takes solace in the attention of those around her. It might be played as taking theprofessor down a notch -- this intellect who disdains the nurse as stupid is at the end of her lifedesperate for a shared moment of humanity. She is reduced or more accurately opened up to the
importance of others, whether it's a med student with terrible bedside manners or a nurse who politely
shares a popsicle, knowing how much patients need contact.
Neither production took this tack, choosing to view her ultimate emotional vulnerability as natural and
understandable. It's the same reason the new film about Prime Minister Margaret Thatcher focuses onher late-period dementia; sympathy comes easily to anyone seeing it, whatever you think of her politics.MOST POPULAR ON HUFFPOST 1 of 2
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Fox News: Report
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Former Marine, Officials Say
DON'T MISS HUFFPOST BLOGGERS 1 of 5FOLLOW USCelebrity TV Political Hollywood Features Hollywood Buzz Videos
September 1, 2012
Edition: U.S.
FRONT PAGE POLITICS BUSINESS MEDIA CELEBRITY TV COMEDY FOOD STYLE ARTS BOOKS LIVE ALL SECTIONS
Dr. Peggy Drexler Gary Hart
Rep. Dennis Kucinich Kevin MaurerHOT ON THE BLOG
Like 107
Posted: 02/ 3/2012 5:58 pm
SHARE THIS STORY
Submit this storyGet Entertainment Alerts
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Lynee Meadows smoothly directs Nixon, who like the play is stronger earlier on when Bearing is at her
best. The text by Margaret Edson simply isn't very interesting -- the general conceit of wit as an insight
into Donne or life in general simply doesn't flower here. The dig at the nurse might be seen as a
complicating view of Bearing, but it too doesn't register. The nurse isn't stupid, just uneducated or atleast certainly not as well educated as Bearing. I wish the play had made better use of the slight; it's acheap laugh that doesn't pay off later except in the most sentimental, obvious manner.
The cast is strong, with Michael Countryman good in dual roles, Suzanne Bertish very good as our
heroine's mentor, Carra Patterson strong in the straightforward role of the nurse and Greg Keller using a
funky voice and amusingly self-absorbed manner to score the strongest of any supporting player as Jason
Posner, the trainee who is as clueless as Bearing about social skills but bonds with her about research
and science.
Plus, a lovely grace note at the end is utterly ruined by Edson. When the friendless Bearing finally gets a
visit from her mentor, she moans over the possibility of being read Donne and instead they snuggle up to
a children's book. The sweet, simple rhythms of a picture book stand in stark contrast to the life of the
mind Bearing has embraced (or perhaps taken shelter in). It's not a condemnation on Bearing's life, justan acknowledgement that at the end simpler pleasures are called for. This gentle finale is spoiled byEdson clumsily having the mentor rather grandly and unnecessarily tacking on a quote from Hamletwhen a simple "The end" (the finale to every picture book and every life) or simple silence would haveserved much better. The great poets know what to leave unsaid.
In general, the reviews are much stronger than what I've written here. My complaint in general is with
the play, not Nixon or the production on display.
But what context was I referring to at the beginning? Shortly after seeing the show and before reviewing
it, suddenly two people I know were stricken unexpectedly with heart ailments. One is the sister of a best
friend; the other a friend I've known for 20 years. Both were unconscious and heavily sedated, with
multiple diagnoses confusing everyone. The woman is healthy and home, albeit with the lingering stressof an unusual ailment only recently identified and with no known treatment. The man died peacefullyafter it became clear he would never revive and -- per his instructions -- life support was removed.
Combine this with a visit to my increasingly frail father (not to worry; he'll never see this since he never
goes online and would stay on the Fox News website if he did) and I'm very glad I didn't have to see theshow this week. In that context, I'd probably cry like a baby. If anyone finds comfort and solace in thiswell-acted production, I'm glad. As a play, I don't think it will stand the test of time, though it's certainlya good vehicle for talented actresses in their 40s. As comfort for those facing the awful finality of deathfor themselves or someone else, I happily acknowledge any support Wit can offer.
Here's a link to the Wikipedia entry for Five Wishes , a living will that meets legal standards in 42 states
and DC. Everyone should fill one out to make precisely clear your wishes during a medical emergency.
The Theater Season 2011-2012 (on a four star scale)The Agony And The Ecstasy Of Steve Jobs ** 1/2
All-American **
All's Well That Ends Well/Shakespeare in the Park **
The Atmosphere Of Memory 1/2 *
Bob *** 1/2
Bonnie & Clyde feature profile of Jeremy Jordan
Broadway By The Year: 1997 ** 1/2
The Cherry Orchard with Dianne Wiest **
Chinglish * 1/2
Close Up Space *
Crane Story **
Cymbeline at Barrow Street Theatre ***
Dedalus Lounge * 1/2
An Evening With Patti Lupone and Mandy Patinkin ***
Follies *** 1/2
Fragments ***
The Gershwins' Porgy And Bess *** 1/2
Dr. Peggy Drexler
Why It’s Important To Let Your
Child Make Mistakes
Gary Hart
Welcome to the American
Republic, Mr. Eastwood
TOP VIDEO PICKS 1 of 8
MOST DISCUSSED RIGHT NOW 1 of 2
HOT ON TWITTER 1 of 2
HUFFPOST'S BIG NEWS PAGES
Movies
NCAA
Foreclosure
Crisis
Egypt
Joseph Kony
Bashar AssadWhat Is Gene Simmons Doing
With His Lips
Colin Ferguson Shows Up
At LA Premiere
Spencer Matthews TalksAbout The Bachelor Winner
Khloe
When Can You See The
Final 'Hobbit' Film?
Celebs React To
Eastwood's Wild SPeech
aol
RetweetIn honor of Labor Day, here are
some of TV's hardest workers
http://t.co/XTjvtfGy via @HuffPostTV
aol
RetweetStaying in this Labor Day
Weekend? Here's what to watch onTV http://t.co/Ygqtb4U6 via
@HuffPostTV
Godspell ** 1/2
Goodbar * 1/2
Hair ***
Hand To God ***
Hero: The Musical * 1/2
How The World Began * 1/2
Hugh Jackman: Back On Broadway ***
Irving Berlin's White Christmas ***
It's Always Right Now, Until It's Later *** 1/2
King Lear at Public with Sam Waterston **
Krapp's Last Tape with John Hurt ***
Lake Water **
Leo ***
Love's Labor's Lost at the PublicLab ** 1/2
Lysistrata Jones *
Man And Boy * 1/2
The Man Who Came To Dinner **
Maple And Vine **
Master Class w Tyne Daly ** 1/2
Measure For Measure/Shakespeare in the Park ***
Milk Like Sugar ***
Mission Drift * 1/2
Misterman ** 1/2
The Mountaintop ** 1/2
Newsies **
Pigpen's The Nightmare Story *** 1/2
Once *** 1/2
Olive and The Bitter Herbs ** 1/2
On A Clear Day You Can See Forever * 1/2
One Arm ***
Other Desert Cities on Broadway ** 1/2
Private Lives **
Queen Of The Mist ** 1/2
Radio City Christmas Spectacular ** 1/2
Relatively Speaking * 1/2
The Road To Mecca ** 1/2
Samuel & Alasdair: A Personal History Of The Robot War ** 1/2
The Select (The Sun Also Rises) ** 1/2
Seminar **
Septimus & Clarissa *** 1/2
Shlemiel The First ** 1/2
Silence! The Musical * 1/2
69 Degrees South * 1/2
Sons Of The Prophet *** 1/2
Sontag: Reborn *
Spiderman: Turn Off The Dark * 1/2
Standing On Ceremony: The Gay Marriage Plays **
Stick Fly **
The Submission **
Super Night Shot ** 1/2
Sweet and Sad **
The Table ** 1/2
Titus Andronicus at Public with Jay O. Sanders * 1/2
Unnatural Acts ***
Venus In Fur ***
We Live Here **
Wild Animals You Should Know ** 1/2
Wit ** 1/2
Zarkana **
NEW YORK MUSICAL THEATRE FESTIVAL 2011
Blanche: The Bittersweet Life Of A Wild Prairie Dame *** 1/2
Central Avenue Breakdown ** 1/2
Crazy, Just Like Me ***
Cyclops: A Rock Opera *
Ennio: The Living Paper Cartoon ** 1/2
Unemployment
Celebrity
babies
Penn State
MORE BIG NEWS PAGES »
Kellan Lutz On
'Twilight': 'I Didn't
Like...
Guy Pearce
'Prometheus'
Deleted Scene:
'They Could...
'The Hobbit: There
And Back Again'
Trilogy...
Anti-Obama
Documentary '2016'
Doing Well In
Ohio...F---ing Hipsters **
Ghostlight **
Gotta Getta Girl ** 1/2 for staged reading
Greenwood *
Jack Perry Is Alive (And Dating) * 1/2
Kiki Baby ** 1/2
Kissless * 1/2
Madame X **
The Pigeon Boys ***
Time Between Us * 1/2
Tut **
FRINGEFEST NYC 2011
Araby *
The Bardy Bunch **
Books On Tape ** 1/2
Civilian **
Hard Travelin' With Woody ***
Leonard Cohen Koans *** 1/2
The More Loving One **
The Mountain Song *** 1/2
Paper Cuts ***
Parker & Dizzy's Fabulous Journey To The End Of The Rainbow ** 1/2
Pearl's Gone Blue ***
Rachel Calof ** 1/2
Romeo & Juliet: Choose Your Own Ending **
2 Burn * 1/2
Walls and Bridges **
What The Sparrow Said ** 1/2
Yeast Nation ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox , a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also
available for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz is provided with free tickets to shows with the understanding that he will be
writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Related News On Huffington Post:
More in Entertainment...
Recency | PopularityComments 0 Pending Comments 0 View FAQ
Comments are closed for this entry
View All
Advertise | Make HuffPost your Home Page | RSS | Careers | FAQ
User Agreement | Privacy | Comment Policy | About Us | About Our Ads | Contact Us
Copyright © 2012 TheHuffingtonPost.com, Inc. | "The Huffington Post" is a registered trademark of TheHuffingtonPost.com, Inc. All rights reserved.
Part of AOL-HuffPost Entertainment