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Michael Giltz
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NY Around Town , Theatre , Video , Amy Morton , Cyrano De Bergerac , Douglas Hodge ,
Edward Albee , NY Theater , Roundabout Theatre , Tracy Letts , Who's Afraid Of Virginia
Woolf , Broadway , Drama , Arts News
1 4 0
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Amazing Inspiring Funny Scary Hot Crazy Important WeirdTheater: Virginia Woolf Bests
Cyrano by More Than a Nose
WHO'S AFRAID OF VIRGINIA WOOLF? *** out of
****
CYRANO DE BERGERAC ** out of ****
WHO'S AFRAID OF VIRGINIA WOOLF? *** out of
****
BOOTH THEATRE
Edward Albee's drama Who's Afraid Of Virginia Woolf?
is one of my favorite plays, but I've never seen itperformed until now. I know the classic film version
starring Elizabeth Taylor and Richard Burton and from
what I've heard, every other actress who has played Martha knows it well, too. Taylor's definitive and
marvelous scenery chewing made that part a veritable fireworks of stagecraft, full of braying andbrawling and enough emoting to make Zero Mostel pause in astonishment.
We all know the story well: a middle-aged couple trapped in a small university invites a new professor
and his wife over to their house for a late night drink and some serious gamesmanship. George is a failednovelist and failed husband. Martha is the daughter of the head of the university and a failed wife. Theirbarbs and recriminations barely pause when strangers arrive and, in fact, the mild new couple are theperfect pawns for these two to wreak havoc on one another. Virginia Woolf is caustic and nasty and above
all very very funny. Ahh, how it reminds me of my youth.MOST POPULAR ON HUFFPOST 1 of 2
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Pregnancy From Rape Is
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October 24, 2012
Edition: U.S.
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HuffPost Social Reading
Like 117
Posted: 10/18/2012 3:10 pm
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The guiding principal of this Steppenwolf production, directed seamlessly by Pam MacKinnon, is to
return to the text, avoid grandstanding and shoot for realism. It works very well at letting these
characters breathe and come alive again. Tracy Letts and Amy Morton shine from the first moment, with
Morton immediately striking the proper note as she conversationally says "What a dump" and asksGeorge what movie that line is from. This isn't going to be a night of pyrotechnics, we sense, it's going tobe a night of genuine emotion. Sometimes the show belongs to Martha, sometimes (rarely) it belongs toGeorge. I think here it's a fair battle and both are wounded by the end. Madison Dirks is very good as the
new biology professor Nick; he's less of a patsy here than on most occasions. Carrie Coon has the
thankless part of Honey, the trickiest role in the show since she's pratfalling comic relief and easy to
overdo. By and large, Coon succeeds.
I shouldn't have noticed the sound design by Rob Mlburn & Michael Bodeen, but at a few brief moments,
I did. Otherwise, the tech elements are strong, with the book-strewn home by Todd Rosenthal dingy and
fitting, with grimy wallpaper revealing missing framed photographs (of the child they never had?) and
the second floor subtly pressing down on the people below thanks to a chunky staircase. The costumes byNan Cibula-Jenkins are nicely drab as well, with Martha given just enough appeal in her second outfit tobe convincing as catnip to a young stud rather than just a duty for a man with ambition. The lighting byAllen Lee Hughes is also solid.
Of course it's George and Martha you come for and Letts and Morton don't disappoint. Letts captures the
simmering rage and Morton the steely laceration that is directed at herself as much as anyone. Thetamped down explosions, the searching for realism do come with a price in this three-hour show. It's
dependably funny and striking but runs out of a little steam by the time the finale approaches. The final
revelation isn't the shocking end of their emotional world so much as the latest round in the blood sportthat is their marriage. It's a crisp revival with a clear purpose that succeeds. But since they don't quitescale the heights, their fall is less powerful as well.
CYRANO DE BERGERAC ** out of ****
ROUNDABOUT THEATRE COMPANY AMERICAN AIRLINES THEATRE
The only reason for this revival of Edmond Rostand's Cyrano seems to have been to bring Douglas Hodge
back to Broadway in a good role as soon as possible after he won the Tony for La Cage Aux Folles . That's
commendable, but it isn't nearly enough for this romantic drama, which feels amorphous and rather
beside the point.
The set is dark and utilitarian, with a bricked wall with arches that starts in the back, moves forward and
then moves forward again. The costumes are similarly drab (both are by Soutra Gilmour) and the gloomylighting is by Japhy Weideman. This leads one to believe that director Jamie Lloyd is going to emphasizea more realistic Cyrano , rather than the flowery romantic, the Cyrano that rejects high honors and
patronage and forges his own lonely path in life, nose or no nose. Hints of that continue throughout the
show, but it doesn't pay any particular dividends.
Testimony
WATCH: U.N. Chief Dances
Gangnam-Style
Louisiana Woman May Have
Set Herself On Fire In
Dubious Race-Related Attack
(UPDATED)
DON'T MISS HUFFPOST BLOGGERS 1 of 5
Chip Davis
Halloween Is a Night Like No
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Tavis Smiley
The Top 20 (Cause 10 Ain’t
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MOST DISCUSSED RIGHT NOW 1 of 2
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Slate Articles »Recommend 1k
Recommend 852
Recommend 32k
American Horror
Story, Season 2
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Really TV’s WorstNew Show?
An Evil Dead
Remake? Why?
NSFW Exhibition Shows
Naked Men For A Change
This Is NOT A Photograph
Virginia Suburb Goes
Gangnam Style
You Have NEVER Seen
Face Painting Like This
The show goes through its paces in a translation by Ranjit Bolt that modestly modernizes the language,
though without the ideal balance of wit, charm and drive reached in the Gerard Depardieu film version
by Jean-Claude Carriere and director Jean-Paul Rappeneau. Hodge is too talented not to score some hits
when fencing with this dialogue, such as the famous "nose" scene. We accept early on that he's going to
be speaking quickly at times, so that not every line registers. Sometimes their dialogue is muffled quite a
bit in a bid to avoid declaiming. But worse, this Cyrano stands alone with virtually no one to act against.
Kyle Soller plays the dim-witted Christian, the man with whom Roxanne falls in love at first sight, much
to the besotted but unattractive Cyrano's bitter disappointment. Cyrano writes love letters for Christian,
pouring out his own burning desire for Roxanne, and even gives him voice in the balcony scene in which
she believes it is Christian talking rather than our hero. Throughout the show Christian's absurd good
looks are referred to again and again by all and sundry, men and women alike. Soller is handsome in real
life and a rising star in the UK but he's dressed frumpily and given a tired moustache, all of which
conspires to make him look like Orlando Bloom's second cousin twice removed.
Just as unsatisfying is Clemence Poesy as Roxanne. She has a lovely visage but when the chemistry is off
and Roxanne is falling head over heels for an uninteresting and not even terribly distracting Christian,the show falls apart. Her demands for him to embroider his love seem petty and tiresome. His
thickheadedness isn't endearing as it should be but just dull. Standing to the side is Cyrano who should
be lovelorn and heartbroken, but all we can do is wonder why he's wasting his time with either one ofthem.
A modest saving grace is Patrick Page as the Comte de Guiche. Smarter people than I insisted Page
showed his talent as the Green Goblin in Spiderman: Turn Off The Dark . I thought the show was such a
disaster that I couldn't enjoy his campy turn there, though in fairness what would you do in that costumein that role in that show? Page received a Drama Desk nomination and was arguably the only person in
Spiderman to come out better from the experience.
Here in this Cyrano I can see others were right about him. His voice is commanding and striking, a real
stage actor's instrument that he uses to excellent effect. The show isn't good enough to let him truly shine
but Page is strong throughout, especially in his late scene where the Comte shows his bravery andtowards the end when his compassion and humanity flower. When he and Hodge are on stage together,
the story comes ever so briefly to life. I suppose in the end the real romance of the theater is always
between the audience and talented actors, even in a production that doesn't serve them well.
THE THEATER SEASON 2012-2013 (on a four star scale)
As You Like it (Shakespeare In The Park w Lily Rabe) ****
Chimichangas And Zoloft *
Closer Than Ever ***
Cock ** 1/2
Harvey with Jim Parsons *
My Children! My Africa! ***
Once On This Island ***
Potted Potter *
Storefront Church ** 1/2
Title And Deed ***
Picture Incomplete (NYMF) **
Flambe Dreams (NYMF) **
Rio (NYMF) **
The Two Month Rule (NYMF) *
Trouble (NYMF) ** 1/2
Stealing Time (NYMF) **
Requiem For A Lost Girl (NYMF) ** 1/2
Re-Animator The Musical (NYMF) ***
Baby Case (NYMF) ** 1/2
How Deep Is The Ocean (NYMF) ** 1/2
Central Avenue Breakdown (NYMF) ***
Foreverman (NYMF) * 1/2
Swing State (NYMF) * 1/2
Stand Tall: A Rock Musical (NYMF) * 1/2
Living With Henry (NYMF) *
A Letter To Harvey Milk (NYMF) ** 1/2
The Last Smoker In America **
Gore Vidal's The Best Man (w new cast) ***
Into The Woods at Delacorte ** 1/2
Bring It On: The Musical **
Bullet For Adolf *
Summer Shorts Series B: Paul Rudnick, Neil LaBute, etc. **
Harrison, TX ***
Dark Hollow: An Appalachian "Woyzeck" (FringeNYC) * 1/2
Pink Milk (FringeNYC)* 1/2HUFFPOST'S BIG NEWS PAGES
Katy Perry
Abortion
John McCain
Todd Akin
Tigers
Robert Gibbs
Justin
Timberlake
Pennsylvania
Social Impact
Investing Buy a link here FinanceDigestToday.com
MORE BIG NEWS PAGES »
FOLLOW ARTS
'Nude Men': Leopold
Museum Gives
Naked Men...
Halloween Light
Show 2012: A
'Gangnam Style'...
Diego Fazio's
Photorealistic Pencil
Drawings: So Real...
Katie Holmes Talks
About Her Return
to...Who Murdered Love (FringeNYC) no stars
Storytime With Mr. Buttermen (FringeNYC) **
#MormonInChief (FringeNYC) **
An Interrogation Primer (FringeNYC) ***
An Evening With Kirk Douglas (FringeNYC) *
Sheherizade (FringeNYC) **
The Great Pie Robbery (FringeNYC) ** 1/2
Independents (FringeNYC) *** 1/2
The Dick and The Rose (FringeNYC) **
Magdalen (FringeNYC) ***
Bombsheltered (FringeNYC) ** 1/2
Paper Plane (FringeNYC) ** 1/2
Rated M For Murder (FringeNYC) ** 1/2
Mallory/Valerie (FringeNYC) *
Non-Equity: The Musical! (FringeNYC) *
Blanche: The Bittersweet Life Of A Prairie Dame (FringeNYC) *** 1/2
City Of Shadows (FringeNYC) ***
Forbidden Broadway: Alive & Kicking ***
Salamander Starts Over (FringeNYC) ***
Pieces (FringeNYC) *
The Train Driver ***
Chaplin The Musical * 1/2
Detroit ** 1/2
Heartless at Signature **
Einstein On The Beach at BAM ****
Red-Handed Otter ** 1/2
Marry Me A Little **
An Enemy Of The People ** 1/2
The Old Man And The Old Moon *** 1/2
A Chorus Line at Papermill ***
Helen & Edgar ***
Grace * 1/2
Cyrano de Bergerac **
Who's Afraid Of Virginia Woolf? ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox , a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and alsoavailable for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz is provided with free tickets to shows with the understanding that he will be
writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Buy a link here
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iConsumerKnowledge.org
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www.nugenix.com
Weird Loophole in New York
Long Island City - New trick helps drivers get car insurance for as low as $9…
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Featuring fresh takes and real-time analysis from
HuffPost's signature lineup of contributors
Michael Giltz
Freelance writerGET UPDATES FROM MICHAEL GILTZ
Follow
NY Around Town , Theatre , Video , Amy Morton , Cyrano De Bergerac , Douglas Hodge ,
Edward Albee , NY Theater , Roundabout Theatre , Tracy Letts , Who's Afraid Of Virginia
Woolf , Broadway , Drama , Arts News
1 4 0
0React
Amazing Inspiring Funny Scary Hot Crazy Important WeirdTheater: Virginia Woolf Bests
Cyrano by More Than a Nose
WHO'S AFRAID OF VIRGINIA WOOLF? *** out of
****
CYRANO DE BERGERAC ** out of ****
WHO'S AFRAID OF VIRGINIA WOOLF? *** out of
****
BOOTH THEATRE
Edward Albee's drama Who's Afraid Of Virginia Woolf?
is one of my favorite plays, but I've never seen itperformed until now. I know the classic film version
starring Elizabeth Taylor and Richard Burton and from
what I've heard, every other actress who has played Martha knows it well, too. Taylor's definitive and
marvelous scenery chewing made that part a veritable fireworks of stagecraft, full of braying andbrawling and enough emoting to make Zero Mostel pause in astonishment.
We all know the story well: a middle-aged couple trapped in a small university invites a new professor
and his wife over to their house for a late night drink and some serious gamesmanship. George is a failednovelist and failed husband. Martha is the daughter of the head of the university and a failed wife. Theirbarbs and recriminations barely pause when strangers arrive and, in fact, the mild new couple are theperfect pawns for these two to wreak havoc on one another. Virginia Woolf is caustic and nasty and above
all very very funny. Ahh, how it reminds me of my youth.MOST POPULAR ON HUFFPOST 1 of 2
Mourdock On Abortion:
Pregnancy From Rape Is
'Something God Intended'
Was The Whole Donald
Trump Announcement A
Gigantic, Pointless Bust?
Coulter Uses Slur Against
Obama
Another Day In Polls, Still
Neck-And-Neck
WATCH: Vivica A. Fox SLAMS
Stacey Dash's Romney
Endorsement
'Grey's Anatomy' Sneak Peek:
Cristina's New 'Sex Friend,'
Jackson's Lady Troubles &
More
Allred Goes To Court Over
Mitt Romney DivorceFOLLOW USPainting Film Design Photography Theater Dance Architecture Female Artists Art Meets Science On Our Radar
October 24, 2012
Edition: U.S.
Chip Davis Tavis Smiley
James Franco Gov. Jennifer M. GranholmHOT ON THE BLOG
HuffPost Social Reading
Like 117
Posted: 10/18/2012 3:10 pm
SHARE THIS STORY
Submit this storyRecommend 94k
Like 10k
Like 40k
Like 220
Like 1k
Like 5kOn Our Radar Armchair Detective iPhone app iPad app Android phone app Android tablet app More Log in Create Account
The guiding principal of this Steppenwolf production, directed seamlessly by Pam MacKinnon, is to
return to the text, avoid grandstanding and shoot for realism. It works very well at letting these
characters breathe and come alive again. Tracy Letts and Amy Morton shine from the first moment, with
Morton immediately striking the proper note as she conversationally says "What a dump" and asksGeorge what movie that line is from. This isn't going to be a night of pyrotechnics, we sense, it's going tobe a night of genuine emotion. Sometimes the show belongs to Martha, sometimes (rarely) it belongs toGeorge. I think here it's a fair battle and both are wounded by the end. Madison Dirks is very good as the
new biology professor Nick; he's less of a patsy here than on most occasions. Carrie Coon has the
thankless part of Honey, the trickiest role in the show since she's pratfalling comic relief and easy to
overdo. By and large, Coon succeeds.
I shouldn't have noticed the sound design by Rob Mlburn & Michael Bodeen, but at a few brief moments,
I did. Otherwise, the tech elements are strong, with the book-strewn home by Todd Rosenthal dingy and
fitting, with grimy wallpaper revealing missing framed photographs (of the child they never had?) and
the second floor subtly pressing down on the people below thanks to a chunky staircase. The costumes byNan Cibula-Jenkins are nicely drab as well, with Martha given just enough appeal in her second outfit tobe convincing as catnip to a young stud rather than just a duty for a man with ambition. The lighting byAllen Lee Hughes is also solid.
Of course it's George and Martha you come for and Letts and Morton don't disappoint. Letts captures the
simmering rage and Morton the steely laceration that is directed at herself as much as anyone. Thetamped down explosions, the searching for realism do come with a price in this three-hour show. It's
dependably funny and striking but runs out of a little steam by the time the finale approaches. The final
revelation isn't the shocking end of their emotional world so much as the latest round in the blood sportthat is their marriage. It's a crisp revival with a clear purpose that succeeds. But since they don't quitescale the heights, their fall is less powerful as well.
CYRANO DE BERGERAC ** out of ****
ROUNDABOUT THEATRE COMPANY AMERICAN AIRLINES THEATRE
The only reason for this revival of Edmond Rostand's Cyrano seems to have been to bring Douglas Hodge
back to Broadway in a good role as soon as possible after he won the Tony for La Cage Aux Folles . That's
commendable, but it isn't nearly enough for this romantic drama, which feels amorphous and rather
beside the point.
The set is dark and utilitarian, with a bricked wall with arches that starts in the back, moves forward and
then moves forward again. The costumes are similarly drab (both are by Soutra Gilmour) and the gloomylighting is by Japhy Weideman. This leads one to believe that director Jamie Lloyd is going to emphasizea more realistic Cyrano , rather than the flowery romantic, the Cyrano that rejects high honors and
patronage and forges his own lonely path in life, nose or no nose. Hints of that continue throughout the
show, but it doesn't pay any particular dividends.
Testimony
WATCH: U.N. Chief Dances
Gangnam-Style
Louisiana Woman May Have
Set Herself On Fire In
Dubious Race-Related Attack
(UPDATED)
DON'T MISS HUFFPOST BLOGGERS 1 of 5
Chip Davis
Halloween Is a Night Like No
Other
Tavis Smiley
The Top 20 (Cause 10 Ain’t
Enough) Reasons (Excuses) Black
Folk Will Give if Obama Loses
MOST DISCUSSED RIGHT NOW 1 of 2
HOT ON FACEBOOK 1 of 3
Sponsored Links
"How Doctors Lose Weight"
New York Celebrity Doctor Reveals His #1
Trick To Lose Weight...
iConsumerKnowledge.org
Boost Testosterone Levels
Men over 40 are seeing shocking boosts infree testosterone with this
www.nugenix.com
Weird Loophole in New York
Long Island City - New trick helps drivers getcar insurance for as low as $9…
Slate Articles »Recommend 1k
Recommend 852
Recommend 32k
American Horror
Story, Season 2
Is The Neighbors
Really TV’s WorstNew Show?
An Evil Dead
Remake? Why?
NSFW Exhibition Shows
Naked Men For A Change
This Is NOT A Photograph
Virginia Suburb Goes
Gangnam Style
You Have NEVER Seen
Face Painting Like This
The show goes through its paces in a translation by Ranjit Bolt that modestly modernizes the language,
though without the ideal balance of wit, charm and drive reached in the Gerard Depardieu film version
by Jean-Claude Carriere and director Jean-Paul Rappeneau. Hodge is too talented not to score some hits
when fencing with this dialogue, such as the famous "nose" scene. We accept early on that he's going to
be speaking quickly at times, so that not every line registers. Sometimes their dialogue is muffled quite a
bit in a bid to avoid declaiming. But worse, this Cyrano stands alone with virtually no one to act against.
Kyle Soller plays the dim-witted Christian, the man with whom Roxanne falls in love at first sight, much
to the besotted but unattractive Cyrano's bitter disappointment. Cyrano writes love letters for Christian,
pouring out his own burning desire for Roxanne, and even gives him voice in the balcony scene in which
she believes it is Christian talking rather than our hero. Throughout the show Christian's absurd good
looks are referred to again and again by all and sundry, men and women alike. Soller is handsome in real
life and a rising star in the UK but he's dressed frumpily and given a tired moustache, all of which
conspires to make him look like Orlando Bloom's second cousin twice removed.
Just as unsatisfying is Clemence Poesy as Roxanne. She has a lovely visage but when the chemistry is off
and Roxanne is falling head over heels for an uninteresting and not even terribly distracting Christian,the show falls apart. Her demands for him to embroider his love seem petty and tiresome. His
thickheadedness isn't endearing as it should be but just dull. Standing to the side is Cyrano who should
be lovelorn and heartbroken, but all we can do is wonder why he's wasting his time with either one ofthem.
A modest saving grace is Patrick Page as the Comte de Guiche. Smarter people than I insisted Page
showed his talent as the Green Goblin in Spiderman: Turn Off The Dark . I thought the show was such a
disaster that I couldn't enjoy his campy turn there, though in fairness what would you do in that costumein that role in that show? Page received a Drama Desk nomination and was arguably the only person in
Spiderman to come out better from the experience.
Here in this Cyrano I can see others were right about him. His voice is commanding and striking, a real
stage actor's instrument that he uses to excellent effect. The show isn't good enough to let him truly shine
but Page is strong throughout, especially in his late scene where the Comte shows his bravery andtowards the end when his compassion and humanity flower. When he and Hodge are on stage together,
the story comes ever so briefly to life. I suppose in the end the real romance of the theater is always
between the audience and talented actors, even in a production that doesn't serve them well.
THE THEATER SEASON 2012-2013 (on a four star scale)
As You Like it (Shakespeare In The Park w Lily Rabe) ****
Chimichangas And Zoloft *
Closer Than Ever ***
Cock ** 1/2
Harvey with Jim Parsons *
My Children! My Africa! ***
Once On This Island ***
Potted Potter *
Storefront Church ** 1/2
Title And Deed ***
Picture Incomplete (NYMF) **
Flambe Dreams (NYMF) **
Rio (NYMF) **
The Two Month Rule (NYMF) *
Trouble (NYMF) ** 1/2
Stealing Time (NYMF) **
Requiem For A Lost Girl (NYMF) ** 1/2
Re-Animator The Musical (NYMF) ***
Baby Case (NYMF) ** 1/2
How Deep Is The Ocean (NYMF) ** 1/2
Central Avenue Breakdown (NYMF) ***
Foreverman (NYMF) * 1/2
Swing State (NYMF) * 1/2
Stand Tall: A Rock Musical (NYMF) * 1/2
Living With Henry (NYMF) *
A Letter To Harvey Milk (NYMF) ** 1/2
The Last Smoker In America **
Gore Vidal's The Best Man (w new cast) ***
Into The Woods at Delacorte ** 1/2
Bring It On: The Musical **
Bullet For Adolf *
Summer Shorts Series B: Paul Rudnick, Neil LaBute, etc. **
Harrison, TX ***
Dark Hollow: An Appalachian "Woyzeck" (FringeNYC) * 1/2
Pink Milk (FringeNYC)* 1/2HUFFPOST'S BIG NEWS PAGES
Katy Perry
Abortion
John McCain
Todd Akin
Tigers
Robert Gibbs
Justin
Timberlake
Pennsylvania
Social Impact
Investing Buy a link here FinanceDigestToday.com
MORE BIG NEWS PAGES »
FOLLOW ARTS
'Nude Men': Leopold
Museum Gives
Naked Men...
Halloween Light
Show 2012: A
'Gangnam Style'...
Diego Fazio's
Photorealistic Pencil
Drawings: So Real...
Katie Holmes Talks
About Her Return
to...Who Murdered Love (FringeNYC) no stars
Storytime With Mr. Buttermen (FringeNYC) **
#MormonInChief (FringeNYC) **
An Interrogation Primer (FringeNYC) ***
An Evening With Kirk Douglas (FringeNYC) *
Sheherizade (FringeNYC) **
The Great Pie Robbery (FringeNYC) ** 1/2
Independents (FringeNYC) *** 1/2
The Dick and The Rose (FringeNYC) **
Magdalen (FringeNYC) ***
Bombsheltered (FringeNYC) ** 1/2
Paper Plane (FringeNYC) ** 1/2
Rated M For Murder (FringeNYC) ** 1/2
Mallory/Valerie (FringeNYC) *
Non-Equity: The Musical! (FringeNYC) *
Blanche: The Bittersweet Life Of A Prairie Dame (FringeNYC) *** 1/2
City Of Shadows (FringeNYC) ***
Forbidden Broadway: Alive & Kicking ***
Salamander Starts Over (FringeNYC) ***
Pieces (FringeNYC) *
The Train Driver ***
Chaplin The Musical * 1/2
Detroit ** 1/2
Heartless at Signature **
Einstein On The Beach at BAM ****
Red-Handed Otter ** 1/2
Marry Me A Little **
An Enemy Of The People ** 1/2
The Old Man And The Old Moon *** 1/2
A Chorus Line at Papermill ***
Helen & Edgar ***
Grace * 1/2
Cyrano de Bergerac **
Who's Afraid Of Virginia Woolf? ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox , a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and alsoavailable for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz is provided with free tickets to shows with the understanding that he will be
writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Buy a link here
"How Doctors Lose Weight"
New York Celebrity Doctor Reveals His #1 Trick To Lose Weight...
iConsumerKnowledge.org
Boost Testosterone Levels
Men over 40 are seeing shocking boosts in free testosterone with this
www.nugenix.com
Weird Loophole in New York
Long Island City - New trick helps drivers get car insurance for as low as $9…
FinanceDigestToday.com
Green Coffee Diet REVEALED
Is Green Coffee the BEST way to Burn Fat? Can it Make you Thinner?
www.consumerhealthreview.org
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