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Newer Post Older PostMONDAY, MARCH 20, 2017
42nd Annual IRA Movie Awards -- History Is
Made And We Don't Even Screw Up The
Envelopes!
The 42st Annual IRA FILM AWARD WINNERS -- 2016
The IRAs are a mysterious but august film society that has voted on the
best films of the year since 1976. Officially known as the New York
Independent Film Critics Awards but lovingly nicknamed the IRAs, it is
more international and indie focused than the Oscars, more mercurial
than the LA Film Critics, more loyal to their favorites than the Golden
Globes. The IRAs are proud to announce their picks for the best movies
released in 2016.
The IRAs began when passionate film students and friends complained
about the parade of annual awards shows, declaring, "We could do
better!" What followed was an all-night, knock-down, drag-out fight to
establish the very first winners of the IRAs. (One of the members is
named Ira, but how his name became the name of the award is a story
lost in the mist of time.) The IRAs has been profiled in  The New
Yorker so it is officially a New York institution, though no one has ever
heard of it . Over the years, its rotating cast of voting members have
included Oscar-winning writers, major directors, top studio execs, best-
selling and critically acclaimed authors of books on movies, critics,
screenwriters, budding playwrights, plain old film buffs and so on. 
Every year, the IRAs shine a light on some of the best films of the year.
The secret reason the IRAs flourish is that its members are passionate
film lovers. Many have careers involving the arts but it's not always
easy to stay in the swim of things and keep on top of the flood of new
releases every year, especially when the movies favored by IRA
members are not always playing at your local multiplex for weeks at a
time. The movies they appreciate tend to be harder to catch, playing in
theaters only briefly before popping up (hopefully) on some streaming
service or DVD if you miss it. Quite simply, the IRAs force them to stay
committed to seeing new movies with the same fervor they felt in their
college days when going to see a film was the only purpose in life,
before jobs and family made claims on their time. So if you want to stay
on top of great cinema every year or explore its history, there's no
better place to start than the award winners of the IRAs. 
True, the IRAs have no more claim to pronounce the best films of the
year than anyone else. But they've been doing it for decades so, hey, it's
tradition! And the IRA goes to....
BEST PICTURE
1. Moonlight -- 25 pts.  (out of a possible 40 pts.)
2. Hell Or High Water -- 20  pts.
3. Dheepan -- 18  pts.
4. The Witch 12 pts.
5. (tie)  American Honey 9 pts.
    (tie)  Jackie 9 pts.
NOTE: When there's a tie, the number of films tied fill up a
corresponding number of slots. Here, two films tied for #5, so six films
make the final list. This year a record low eight ballots were submitted
with a top score for each film of 5 pts, so the maximum any one film
could achieve was 40 pts. For the first time in 40 years and only the
second time in IRA history, the winner of Best Picture also won the
Academy Award for Best Picture. The last time that happened, IRA and
Oscar agreed on Woody Allen's Annie Hall. In other words, this almost
never happens. Is it a sign of smarter voting by the Oscars, thanks to
new members and new voting procedures? More likely it's a fluke and
this convergence won't happen again until 2057. Typically, attacking a
potential winner by mocking it for having already won the Oscar is a
winning strategy, whether one thinks this means awarding the film is
pointless, redundant or most often simply suspect because the
Academy Awards has bad taste. This year, that tactic died simply
because too many people liked Moonlight  too passionately. Is it their
fault Oscar got it right for a change? A stopped clock, etc. Welcome to
picking good movies, Academy Awards! When you agree with us, you're
doing something right.
The IRAs are voted on from Best Costumes up to Best Picture. So this
award comes towards the end of the evening. The victory
of Moonlight  is no surprise, really: it won four of the Top 12 awards,
usually by a substantial margin and placed strongly in others. (There
are also "negative" awards, like Mechanical Actor for those phoning it
in.) Clearly Moonlight 's support was deep and strong. Still, sweeps are
not the IRA way. The result? Six films enjoyed all or part of the top six
awards for the night, thanks to one actor being honored for work on
two films. The six films are  A Bigger Splash; Dheepan; Hail, Caesar!;
Hell Or High Water; Indignation; Moonlight and 20th Century
Women.
BEST DIRECTOR
1. Barry Jenkins for Moonlight -- 26 pts.
2. Jacques Audiard for  Dheepan -- 18 pts.
3. David Mackenzie for  Hell Or High Water -- 17 pts.
4. (tie) Andrea Arnold for  American Honey -- 8 pts.
    (tie) Pablo Larrain for  Jackie -- 8 pts.
NOTE: While the IRA voters are not officially signatories to the
International Code Of Auteurs, they do tend to link picture and director
pretty strongly. But not that strongly. You will find ties amongst
directors or one person winning Best Picture and their main
competitor winning Best Director. Not this time. The good will Barry
Jenkins banked with his debut Medicine For Melancholy  back in 2008
helped fend off all pretenders and he won Best Director, pointing the
way to his final victory with Best Picture.
BEST ACTOR
1. Antonythasan Jesuthasan for Dheepan -- 19 pts.
2. (tie) Colin Farrell for  The Lobster -- 16 pts.
    (tie) Peter Simonischek for  Toni Erdmann -- 16 pts.
4. Tom Hanks for  Sully and A Hologram For The King-- 14 pts.
5. Chris Pine for Hell Or High Water and The Finest Hours -- 11 pts.
NOTE: Here we see the passion for past IRA winner Jacques Audiard's
Dheepan , not to mention the wide net cast by the members. Moonlight
was filled with supporting actors, due to its unusual structure. Still, this
one category roped in four more films for award attention, including
the divisive comedy The Lobster and some serious support for Hanks
in Hologram , which not enough members saw for it to gain
momentum. We have placed the first name of the actor from
Dheepan  first to reflect the Western style, so when you bump him on
the street, you can say, "Congrats on your IRA Award, Mr. Jesuthasan!"
and get his name right.
BEST ACTRESS
1. Annette Bening for 20th Century Women -- 15 pts.
2. Sasha Lane for  American Honey -- 13 pts.
3. Sandra Hüller for Toni Erdmann -- 12 pts.
4. Royalty Hightower for The Fits -- 11 pts.
RESCINDED: Isabelle Huppert for  Elle and Things To Come -- 19 pts.
NOTE: Here's one of the night's main controversies. The IRAs have
featured perhaps 15 or so members voting in any one year. But this
time, while eleven members voted on our list for the Best Films Of The
1940s, only eight weighed in on this year's annual awards. (Members
were overwhelmed with work or life issues or simply felt they didn't see
enough new movies to vote with integrity -- at least, those are among
the more popular reasons for begging off.) The danger of a really small
voting body is that two or three members can vote for a movie and
come out on top even if the vast majority don't approve. Similarly, a
film that lots of people liked but didn't love can become the consensus
bland choice simply because a number of folk had it third on their list.
And yet, no one is happy with the result. To avoid this, we have the
RESCIND option. After every winner is announced, an automatic vote
to rescind is held. If a majority of members vote to rescind, that award
is rescinded and the runner-up is crowned the winner. Then a vote to
rescind THAT winner is held and so on until the vote to rescind fails.
This year, the great Isabelle Huppert (a past IRA winner) won for her
two performances, Elle and Things To Come. However, a combination
of believing she had won too many honors already and that this wasn't
the right time to honor her again (and some serious distaste for Elle,
whatever one thought of her performance) led to a vote to rescind. It
meant sweet victory for Bening, who previously had been tarred and
feathered by IRA for delivering a Mechanical Actress performance and
now was laureled for doing it right.
BEST SUPPORTING ACTOR
1. Ralph Fiennes for A Bigger Splash and Hail, Caesar! --
18 pts.
2. Mahershala Ali for Hidden Figures and  Moonlight -- 16 pts.
3. Ben Foster for  Hell Or High Water -- 14 pts.
4. Patch Darragh for  Sully --10 pts.
5. (tie) Michael Barbieri for  Little Men -- 9 pts.
    (tie) Dev Patel for Lion -- 9 pts.
NOTE: This award was mainly for Fiennes' wonderfully irritating turn
in A Bigger Splash. His amusing bit as a director saddled with an
incompetent actor in Hail, Caesar! was just a sweet bonus.
Moonlight  didn't win here perhaps because the excellent Ali has been
so roundly and rightly singled out by virtually every other award group
in the country. And still he almost pulled it off, proving the depth of
support his film enjoyed.
                                            
BEST SUPPORTING ACTRESS
1. Linda Emond for Indignation -- 18 pts.
2. Imogen Poots for  Green Room -- 16 pts.
3. Riley Keough for American Honey-- 14 pts.
4. Katy Mixon for  Hell Or High Water -- 10pts.
5. Janelle Monáe for Hidden Figures and Moonlight -- 9 pts.
 
NOTE: Just like the Oscars, the IRAs have a complicated relationship
with supporting actor categories. Here they single out Emond in
Indignation , a blink and you miss it performance and a film almost
completely ignored by everyone else. Ditto Mixon, the other waitress
with a memorable scene in Hell Or High Water. And here's the final
mention of Green Room, a terrific B movie wrongly ignored by
Hollywood that isn't award bait for Oscar (it's too violent) but is a
calling card of a breakthrough akin to Reservoir Dogs in terms of tight
and effective direction.
BEST NONFICTION FILM
1. O.J.: Made In America -- 23 pts.
2. Under The Sun -- 12 pts.
3. The Witness -- 10 pts.
4. Weiner -- 9 pts.
5. 13th -- 5 pts.
NOTE: Again, this is only the second time in history that the IRA Best
Picture winner is the same as the Academy Award winner. Last year the
IRAs added best nonfiction film and it's possible the overlap in that
category may be more consistent. Certainly everybody and their mother
praised O.J.: Made In America and rightly so. Some IRA members (Ok,
me) argued it was THE best film of the year and should win the top
prize just like previous Best Picture winner, Eyes On The Prize. (Also a
lengthy documentary technically made for TV but eligible since it was
released in movie theaters.)
BEST SCREENPLAY
1. Taylor Sheridan for Hell Or High Water -- 18 pts.
2. Barry Jenkins and Tarell Alvin McCraney for  Moonlight -- 16 pts.
3. Jacques Audiard and Thomas Bidegain and Noé Debré for  Dheepan -
- 13 pts.
4. Whit Stillman for  Love And Friendship --9 pts.
5. (tie) Maren Ade for  Toni Erdmann -- 8 pts.
   (tie) Mike Mills for  20th Century Women -- 8 pts.
NOTE: It felt like Dheepan was the best challenger to head off
Moonlight . But in fact, perhaps it was Hell Or High Water. Its sole win
came right here for Best Screenplay. But Hell Or High Water featured
in eight of the 12 top categories, just like Moonlight . However you rank
them and judge their relative support among IRA voters, there's no
question Moonlight and Dheepan and Hell Or High Water were the
three most popular films of the year.
BEST CINEMATOGRAPHY
1. James Laxton for Moonlight -- 30 pts.
2. Paul Yee for  The Fits -- 14 pts.
3. Giles Nuttgens for  Hell Or High Water -- 13 pts.
4. Robby Ryan for  American Honey and I, Daniel Blake -- 11 pts.
5. Sean Porter for  Green Room  and 20th Century Women -- 8 pts.
 
NOTE: We live in a golden age for cinematography; often this category
is a blood sport with many films scoring support and separated only by
a vote or two. Not this year, with Moonlight 's stellar work more than
doubling the impressive indie The Fits. When we saw Moonlight simply
crushing the competition in Score and Cinematography and in the mix
elsewhere, it was clear early on this would be Moonlight 's night and
that IRA was not going to be afraid to single out the same movie as the
Academy Awards.
BEST PRODUCTION DESIGN
1. (tie)  Craig Lathrop for The Witch -- 15 pts.
    (tie)  Ryan Warren Smith for Green Room -- 15 pts.
3. Kelly McGehee for  American Honey -- 13 pts.
4. (tie) Alan MacDonald for  Florence Foster Jenkins -- 9 pts.
    (tie) David Wasco for  La La Land -- 9 pts.
NOTE: Here's a category that often has so many diverse possibilities
that just a few members can push a wild card over the top. Green Room
and The Witch are two exceptionally good films pretty much ignored by
every other award group in the country. With its win here and runner-
up status in Best Costumes, for a brief moment the supporters of Green
Room fantasized about pulling off the upset of the century. But a strong
showing in technical categories can often be misleading and that's
exactly what happened here.
BEST SCORE/USE OF MUSIC
1. Nicholas Britell for Moonlight -- 27 pts.
2. Mica Levi for Jackie -- 13 pts.
3. Becky Bentham for  Sing Street -- 12 pts.
4. Jóhann Jóhannsson  for  The Arrival -- 10 pts.
5. Nick Cave and Warren Ellis for  Hell Or High Water --9 pts.
NOTE: If there was any consensus about Moonlight, it was that the
film's score and cinematography were brilliant. Not just for a very low
budget indie film but for any film.
BEST EDITING
1. Andrey Paperniy for Under The Sun -- 15 pts.
2. Joi McMillon and Nat Sanders for  Moonlight -- 14 pts.
3. Joe Bini for  American Honey -- 13 pts.
4. Sebastián Sepúlveda for  Jackie -- 10 pts.
5. Blu Murray for  Sully -- 6 pts.
NOTE: Documentaries often score highly in the editing category
because they typically include a wealth of footage and the movie is
"discovered" in the editing. This year, that was particularly true for
Under The Sun, a documentary about North Korea in which the
filmmaker had no control over his own project once he arrived in that
nightmarish totalitarian state. The government controlled every
element but the director kept the camera rolling and captured all the
artifice involved in staging scenes, such as changing the jobs of the little
girl's parents so those would reflect better on the country and so on.
With minimal text explanation and no voice-over, the film is edited to
give a glimpse of the face the gov't wanted to present to the world and
how it was accomplished. Sad, funny, unnerving and truly created in
the editing room.
BEST COSTUME
1. Madeline Fontaine for Jackie -- 17 pts.
2. Amanda Needham for  Green Room -- 14 pts.
3. Linda Muir for  The Witch -- 10 pts.
4. Kari Perkins for  Everybody Wants Some!! -- 9 pts.
5. Consolata Boyle for  Florence Foster Jenkins -- 8 pts.
SOMINEX (The movie that put you to sleep)
1. The Girl On The Train -- 14 pts.
2. Hidden Figures -- 11 pts.
3. (tie)  Café Society -- 7 pts.
    (tie)  Knight Of Cups -- 7  pts.
5. Tallulah -- 6 pts.

DRAMAMINE (The film that made you sick)
Nocturnal Animals by acclamation!
1. Nocturnal Animals  by acclamation
2. Hacksaw Ridge --  11 pts.
3. Manchester By The Sea --  9 pts.
4. I Am Not Y our Negr o-- 4 pts.
5. (tie)  The Eagle Huntr ess -- 3 pts.
    (tie)  Florence Foster Jenkins --  3 pts.
NOTE:  If a majority of the voters participating in the IRAs
each year (some members vote in absentia via ballot) nominate
the same person or film in a category , that nominee is the
winner by acclamation. They garnered a majority of support on
the first ballot. We then go through our ballots to see the other
honorees, but the winner is foreordained.   That was the case
here with Nocturnal Animals, which was  derided by all who
saw it.
MECHANICAL ACTRESS
1. Nicole Kidman for  Lion --  14 pts.
2. Michelle Williams for  Manchester By The Sea --  11 pts.
3. (tie) Leslie Mann for  By The Comedian and How T o Be
Single  -- 5 pts.
    (tie) Natalie Portman for A Tale Of Love And Darkness --
5 pts.
    (tie) Meryl Streep for Florence Foster Jenkins --  5 pts.
 
NOTE: The Mechanical awards are for actors relying on
familiar tricks we've seen them use time and again or those
tackling a role in a cliched manner . It's a moment for poisonous
comments, getting revenge on movies and talent we once
admired that have let us down or never fooled us in the first
place and yet keep making moves we have to see. 
               
MECHANICAL ACTOR
Aaron Taylor-Johnson for Nocturnal Animals by
acclamation!
1. Aaron Taylor -Johnson for Nocturnal Animals --  24 pts.
2. Ben Affleck for  The Accountant, Batman v Superman: Dawn
Of Justice, Live By Night, Suicide           Squad  -- 18 pts.
3. (tie) Jovan Adepo for  Fences  -- 4 pts.
    (tie) Casey Affleck for  Manchester By The Sea  -- 4 pts.
    (tie) Simon Helber g for Florence Foster Jenkins --  4 pts.
    (tie) Chris Pine for  Hell Or High W ater -- 4 pts.
PAST IRA WINNERS
THE COMPLETE IRA MOVIE AWARD WINNERS
1975  IRA Film Award Winners
Best Picture:  Barry Lyndon
Best Director: Claude Chabrol for  La Rupture  and  Just Before
Nightfall
Best Actor: Jack Nicholson in  One Flew Over The Cuckoo’s Nest
Best Actress: Ellen Burstyn in  Alice Doesn’t Live Here Anymore
Best Supporting Actor: François Perrier in  Just Before Nightfall
Best Supporting Actress: Blythe Danner in  Hearts Of The West
Best Screenplay: Tom Stoppard and Thomas Wiseman for  The
Romantic Englishwoman
Best Cinematography: John Alcott for  Barry Lyndon
1976 IRA Film Award Winners
Best Picture: (tie)  Lipstick  and  The Marquise Of O
Best Director: Eric Rohmer for  The Marquise Of O
Best Actor: Sean Connery in  Robin And Marian
Best Actress: Sissy Spacek in  Carrie
Best Supporting Actor: Jason Robards in  All The President’s Men
Best Supporting Actress: Anne Bancroft in  Lipstick
Best Screenplay: Alain Tanner and John Berger for  Jonah Who Will Be
25 In The Year 2000
Best Cinematography: Nestor Almendros for  The Marquise Of O
1977  IRA Film Award Winners
Best Picture:  Annie Hall
Best Director: Wim Wenders for  The American Friend
Best Actor: John Gielgud in  Providence
Best Actress: Dianne Keaton in  Annie Hall  and  Looking For Mr.
Goodbar
Best Supporting Actor: G. D. Spradlin in  One On One
Best Supporting Actress: Vanessa Redgrave in  Julia
Best Screenplay: Woody Allen and Marshall Brickman for  Annie Hall
Best Cinematography: Robby Müller for  The American Friend
1978  IRA Film Award Winners
Best Picture:  Days Of Heaven
Best Director: Terence Malick for  Days Of Heaven
Best Actor: Jon Voight in  Coming Home
Best Actress: Jane Fonda in  Coming Home
Best Supporting Actor: Dom DeLuise in  The End
Best Supporting Actress: Stephane Audran in  Violette
Best Screenplay: Eric Rohmer for  Perceval
Best Cinematography: Nestor Almendros for  Days Of Heaven
1979  IRA Film Award Winners
Best Picture:  Fedora
Best Director: Blake Edwards for  10
Best Actor: Clint Eastwood in  Escape From Alcatraz
Best Actress: Hanna Schygulla in  The Marriage Of Maria Braun
Best Supporting Actor: Denholm Elliott in  Cuba  and  Saint Jack
Best Supporting Actress: Frances Sternhagen in  Fedora  and  Starting
Over
Best Screenplay: Billy Wilder and I. A. L. Diamond for  Fedora
Best Cinematography: Tak Fujimoto for  Last Embrace  and  Remember
My Name
Best Music: Miklos Rozsa for  Fedora  and  Last Embrace
Best Production Design: Dean Edward Mitzner for  1941
1980  IRA Film Award Winners
Best Picture:  The Big Red One
Best Director: Sam Fuller for  The Big Red One
Best Actor: Lee Marvin for  The Big Red One
Best Actress: Jodie Foster for  Carny  and  Foxes
Best Supporting Actor: (tie) Joe Pesci in  Raging Bull  and Harry Dean
Stanton in  The Black Marble, The Long Riders, Private
Benjamin  and  Wise Blood
Best Supporting Actress: Pamela Reed in  The Long Riders  and  Melvin
And Howard
Best Screenplay: Sam Fuller for  The Big Red One
Best Cinematography: Jordan Cronenweth for  Altered States
Best Music: Dana Kaproff for  The Big Red One
Best Production Design: Tambi Larsen for  Heaven’s Gate
1981  IRA Film Award Winners
Best Picture:  Cutter’s Way
Best Director: Ivan Passer for  Cutter’s Way
Best Actor: Jeff Bridges in  Cutter’s Way
Best Actress: Faye Dunaway in  Mommie Dearest
Best Supporting Actor: Jack Nicholson in  Reds
Best Supporting Actress: Mona Washbouurne in  Stevie
Best Screenplay: John Guare for  Atlantic City
Best Cinematography: Jordan Cronenweth for  Cutter’s Way
Best Music: Georges DeLerue for  The Last Metro, Rich and Famous,
True Confessions  and  The Woman Next Door
Best Production Design: Ken Adam for  Pennies From Heaven
Best Costume Design: Shirley Russell for  Reds
1982  IRA Film Award Winners
Best Picture:  Victor/Victoria
Best Director: Blake Edwards for  Victor/Victoria
Best Actor: Jack Lemmon in  Missing
Best Actress: (tie) Julie Andrews in  Victor/Victoria  and Jessica Lange
in Frances
Best Supporting Actor: Robert Preston in  Victor/Victoria
Best Supporting Actress: Lesley Ann Warren in  Victor/Victoria
Best Screenplay: Blake Edwards for  Victor/Victoria
Best Cinematography: Xaver Schwartzenberger for  Lola  and  Veronika
Voss
Best Music: Henry Mancini and Leslie Bricusse for  Victor/Victoria
Best Production Design: Rodger Maus for  Victor/Victoria
Best Costume Design: Patricia Norris for  Victor/Victoria
1983  IRA Film Award Winners
Best Picture:  Berlin Alexanderplatz
Best Director: Andrzej Wajda for  Danton
Best Actor: Eric Roberts for  Star ’80
Best Actress: Shirley MacLaine for  Terms Of Endearment
Best Supporting Actor: Jerry Lewis for  The King Of Comedy
Best Supporting Actress: Jamie Lee Curtis for  Trading Places
Best Screenplay: Bill Forsyth for  Local Hero
Best Cinematography: Sven Nykvist for  Star ’80
Best Music: Peer Raben for  Berlin Alexanderplatz
Best Production Design: Fernando Scarfiotti for  Scarface
Best Costume Design: Yvonne Sassinot DeNestle for  Danton
1984  IRA Film Award Winners
Best Picture: (tie)  L’Argent  and  Once Upon A Time In America
Best Director: Sergio Leone for  Once Upon A Time In America
Best Actor: Clint Eastwood in  Tightrope
Best Actress: Helen Mirren in  Cal
Best Supporting Actor: Jean-Luc Godard in  First Name: Carmen
Best Supporting Actress: Christine Lahti in  Swing Shift
Best Screenplay: Franco Arcalli, Leonardo Benvenuti, Piero De
Bernardi, Franco Ferrini, Sergio Leone, Enrico Medioli for  Once Upon
A Time In America
Best Cinematography: Robby Müller for  Paris Texas  and  Repo Man
Best Music: Ennio Morricone for  Once Upon A Time In America
Best Production Design: James Singelis for  Once Upon A Time In
America
Best Costume Design: Mic Cheminal for  Entre Nous
1985  IRA Film Award Winners
Best Picture:  Prizzi’s Honor
Best Director: Martin Scorsese for  After Hours
Best Actor: Jack Nicholson in  Prizzi’s Honor
Best Actress: Mia Farrow in  The Purple Rose Of Cairo
Best Supporting Actor: William Hickey in  Prizzi’s Honor
Best Supporting Actress: Anjelica Huston in  Prizzi’s Honor
Best Screenplay: Joseph Minion for  After Hours
Best Cinematography: Andrzej Bartkowiak for  Prizzi’s Honor
Best Music: Brian Gascoigne and Junior Hamrich for  The Emerald
Forest
Best Production Design: Jeffrey Townsend for  After Hours
Best Costume Design: Ann Roth for  The Jagged Edge  and  Sweet
Dreams
1986  IRA Film Award Winners
Best Picture:  Eyes On The Prize
Best Director: David Lynch for  Blue Velvet
Best Actor: (tie) Daniel Day-Lewis in  My Beautiful Laundrette  and Jeff
Goldblum in  The Fly
Best Actress: Laura Dern in  Smooth Talk
Best Supporting Actor: Steve Buscemi in  Parting Glances
Best Supporting Actress: Mary Stuart Masterson in  At Close Range
Best Screenplay: Hanif Kureishi for  My Beautiful Laundrette
Best Cinematography: Frederick Elmes for  Blue Velvet
Best Music: (tie) George Delerue for  Platoon  and Herbie Hancock
for Round Midnight
Best Production Design: Patricia Norris for  Blue Velvet
Best Costume Design: Jenny Beaven and John Bright for  A Room With
A View
1987  IRA Film Award Winners
Best Picture:  Housekeeping
Best Director: Bill Forsyth for  Housekeeping
Best Actor: Gary Oldman in  Prick Up Your Ears
Best Actress: Christine Lahti in  Housekeeping
Best Supporting Actor: John Mahoney in  Moonstruck  and  Tin Men
Best Supporting Actress: Vanessa Redgrave in  Prick Up Your Ears
Best Screenplay: Bill Forsyth for  Housekeeping
Best Cinematography: Phillippe Rousselot for  Hope And Glory
Best Music: David Byrne, Ryuichi Sakamoto and Cong Su for  The Last
Emperor
Best Production Design: Santo Loquasto for  Radio Days
Best Costume Design: Mary-Jane Reyner for  Housekeeping
1988  IRA Film Award Winners
Best Picture:  Dead Ringers
Best Director: David Cronenberg for  Dead Ringers
Best Actor: Jeremy Irons in  Dead Ringers
Best Actress: Jodie Foster in  The Accused
Best Supporting Actor: Divine in  Hairspray
Best Supporting Actress: Claudia Karvan in  High Tide
Best Screenplay: Christopher Hampton for  Dangerous Liaisons
Best Cinematography: Vittorio Storaro for  Tucker: The Man And His
Dream
Best Music: George Fenton for  Dangerous Liaisons
Best Production Design: Dean Tavoularis for  Tucker: The Man And His
Dream
Best Costume Design: Van Smith for  Hairspray
1989  IRA Film Award Winners
Best Picture:  Story Of Women
Best Director: Claude Chabrol for  Story
Of Women
Best Actor: John Hurt in  Scandal
Best Actress: Isabelle Huppert in  Story Of Women
Best Supporting Actor: Ethan Hawke in  Dad  and  Dead Poets Society
Best Supporting Actress: Anjelica Huston in  Enemies: A Love Story
Best Screenplay: Blake Edwards for  Skin Deep
Best Cinematography: Jeff Preiss for  Let’s Get Lost
Best Music: Michael Kamen for  The Adventures Of Baron Munchausen
Best Production Design: Dante Ferretti for  The Adventures Of Baron
Munchausen
Best Costume Design: Jane Robinson for  Scandal
1990  IRA Film Award Winners
Best Picture:  GoodFellas
Best Director: Martin Scorsese for  GoodFellas
Best Actor: Michel Blanc in  Monsieur Hire
Best Actress: Anjelica Huston in  The Grifters
Best Supporting Actor: Joe Pesci in  GoodFellas
Best Supporting Actress: Lorraine Bracco in  GoodFellas
Best Screenplay: Craig Lucas for  Longtime Companion
Best Cinematography: Oliver Stapleton for  The Grifters
Best Music: Elmer Bernstein for  The Grifters
Best Production Design: Dennis Gassner for  The Grifters
Best Costume Design: Richard Bruno for  The Grifters
1991  IRA Film Award Winners
Best Picture:  The Man In The Moon
Best Director: Robert Mulligan for  The Man In The Moon
Best Actor: River Phoenix in  Dogfight  and  My Own Private Idaho
Best Actress: Judy Davis in  Barton Fink, Impromptu,  and  Naked
Lunch
Best Supporting Actor: Harvey Keitel in  Bugsy, Mortal
Thoughts,  and  Thelma & Louise
Best Supporting Actress: Juliette Lewis in  Cape Fear
Best Screenplay: Michael Tolkin for  The Rapture
Best Cinematography: Freddie Francis for  Cape Fear  and  The Man In
The Moon
Best Music: Ennio Morricone for  Bugsy
Best Production Design: Dennis Gassner for  Barton Fink  and  Bugsy
Best Costume Design: Albert Wolsky for  Bugsy
1992  IRA Film Award Winners
Best Picture:  Raise The Red Lantern
Best Director: Robert Altman for  The Player
Best Actor: Tim Robbins in  Bob Roberts  and  The Player
Best Actress: Emma Thompson in  Howards End
Best Supporting Actor: Jaye Davidson in  The Crying Game
Best Supporting Actress: Judy Davis in  Husbands And Wives
Best Screenplay: Michael Tolkin for  The Player
Best Cinematography: Zhao Fei and Lun Yang for  Raise The Red
Lantern
Best Music: Lenny Niehaus for  Unforgiven
Best Production Design: Marc Caro for  Delicatessen
Best Costume Design: Alexander Julien for  The Player
Sominex Award:  A Few Good Men
Dramamine Award:  Basic Instinct
Mechanical Actor: Michael Douglas in  Basic Instinct
Mechanical Actress: ****
1993  IRA Film Award Winners
Best Picture:  Six Degrees Of Separation
Best Director: Nancy Savoca for  Household Saints
Best Actor: Dennis Quaid in  Flesh And Bone
Best Actress: Stockard Channing in  Six Degrees Of Separation
Best Supporting Actor: Leonardo DiCaprio in  A Boy’s Life  and  What’s
Eating Gilbert Grape?
Best Supporting Actress: Regina Tourney in  Like Water For Chocolate
Best Screenplay: Mike Leigh for  Naked
Best Cinematography: Michael Balhaus for  The Age Of Innocence
Best Music: Elmer Bernstein for  The Age Of Innocence  and  The
Cemetery Club
Best Production Design: Dante Ferretti for  The Age Of Innocence
Best Costume Design: Gabriella Pescucci for  The Age Of Innocence
Sominex Award:  Heaven And Earth
Dramamine Award:  Falling Down
Mechanical Actor: Richard Gere in  Sommersby
Mechanical Actress: Madonna in  Body Of Evidence
1994  IRA Film Award Winners
Best Picture:  Red
Best Director: Krzyzstof Kieslowski for  Red and  White
Best Actor: Terence Stamp in  Priscilla, Queen of the Desert
Best Actress: Linda Fiorentino in  The Last Seduction
Best Supporting Actor: Christian Bale in  Little Women
Best Supporting Actress: Kristin Scott Thomas in  Four Weddings and
a Funeral
Best Screenplay: Steve Baranczek for  The Last Seduction
Best Cinematography: Stephen Czapsky for  Ed Wood
Best Music: Zbigniew Preissner for  Red and  White
Best Production Design: Dennis Gastner for  The Hudsucker Proxy
Best Costume Design: Lizzie Gardiner and Tim Chappel for  Priscilla,
Queen of The Desert
Sominex Award:  Wyatt Earp
1995  IRA Film Award Winners
Best Picture:  Exotica
Best Director: Terry Zwigoff for  Crumb
Best Actor: John Travolta in  Get Shorty
Best Actress: (A three-way tie) Mia Kershner in  Exotica;  Alicia
Silverstone in  Clueless;  Nicole Kidman in  To Die For
Best Supporting Actor: Tim Roth in  Rob Roy
Best Supporting Actress: Mare Winningham in  Georgia
Best Screenplay: (tie) Atom Egoyan for  Exotica  and Buck Henry for  To
Die For
Best Cinematography: Newton Thomas Sigel for  The Usual Suspects
Best Music: John Ottman for  The Usual Suspects
Best Production Design: Dante Ferretti for  Casino
Best Costumes: Mona May for  Clueless
Sominex Award:  The Brothers McMullen
Dramamine Award:  Braveheart
Mechanical Actor: Dennis Miller in  The Net  and the cast of  The
Brothers McMullen
Mechanical Actress: Annette Bening in  The American President
1996  IRA Film Award Winners
Best Picture:  La Ceremonie
Best Director: Claude Chabrol for  La Ceremonie
Best Actor: Ewen McGregor in  Trainspotting
Best Actress: (tie) Kristin Scott Thomas in  The English Patient  and
Emily Watson in  Breaking The Waves
Best Supporting Actor: Ian Holm in  Big Night
Best Supporting Actress: Mary Kay Place in  Citizen Ruth  and  Manny &
Lo
Best Screenplay: John Sayles for  Lone Star
Best Cinematography: (tie) Darius Khondji for  Stealing Beauty  and
Oliver Stapleton for  Kansas City
Best Music: Tiffany Anders, Burt Bacharach, David Baerwald, Carole
Bayer Sager, Ed Berghoff, Elvis Costello, Gerry Goffin, Louise Goffin,
Tonio K, Larry Klein, J. Mascis, Joni Mitchell, Boyd Rice, David A.
Stewart, and J. Mayo Williams for  Grace Of My Heart
Best Production Design: Harley Jessup for  James And The Giant Peach
Best Costume Design: Dona Granata for  Kansas City
Sominex Award:  The English Patient
Dramamine Award:  A Time To Kill
Mechanical Actor: All the men in  She’s The One
Mechanical Actress: Maxine Bahns in  She’s The One
1997  IRA Film Award Winners
Best Picture: (tie)  Crash  and  Grosse Pointe Blank
Best Director: David Cronenberg for  Crash
Best Actor: John Cusack for  Grosse Pointe Blank
Best Actress: Julie Christie in  Afterglow
Best Supporting Actor: Kevin Spacey in  L. A. Confidential
Best Supporting Actress: Christina Ricci in  The Ice Storm
Best Screenplay: Neil LaBute for  In The Company Of Men
Best Cinematography: Roger Deakins for  Kundun
Best Music: (tie) Eleni Karaindrou for  Ulysses’ Gaze  and Michael
Nyman for  Gattaca
Best Production Design: (tie) Dan Weil for  The Fifth Element  and Jan
Roelfs for  Gattaca
Best Costume Design: Denise Cronenberg for  Crash
Sominex Award:  The Pillow Book
Dramamine Award:  Con Air
Mechanical Actor: Billy Zane in  Titanic
Mechanical Actress: Elisabeth Shue in  Deconstructing Harry  and  The
Saint
1998  IRA Film Award Winners
Best Picture:  Gods And Monsters
Best Director: (tie) Bill Condon for  Gods And Monsters  and Todd
Solondz for  Happiness
Best Actor: Ian McKellen in  Gods And Monsters
Best Actress: Christina Ricci in  The Opposite Of Sex
Best Supporting Actor: Dylan Baker in  Happiness
Best Supporting Actress: Lisa Kudrow in  The Opposite Of Sex
Best Screenplay: Bill Condon for  Gods And Monsters
Best Cinematography: Maryse Alberti for  Happiness  and  Velvet
Goldmine
Best Music: Carter Burwell for  Gods And Monsters
Best Production Design: Thérèse DePrez for  Happiness
Best Costume Design: Bruce Finlayson for  Gods And Monsters
Sominex Award:  Dangerous Beauty
Dramamine Award:  Stepmom
Mechanical Actor: Bruce Willis in  Armageddon, The
Siege  and  Mercury Rising
Mechanical Actress: Jena Malone in  Stepmom
1999  IRA Film Award Winners
Best Picture:  Fight Club
Best Director: (tie) David Fincher for  Fight Club  and Spike Jonze
for Being John Malkovich
Best Actor: Terence Stamp in  The Limey
Best Actress: (tie) Nicole Kidman in  Eyes Wide Shut  and Hillary Swank
in Boys Don’t Cry
Best Supporting Actor: Philip Seymour Hoffman in  Magnolia  and  The
Talented Mr. Ripley
Best Supporting Actress: Catherine Keener in  Being John Malkovich
Best Screenplay: Alexander Payne and Jim Taylor for  Election
Best Cinematography: Robert Richardson for  Bringing Out The
Dead  and  Snow Falling On Cedars
Best Music: Trey Parker and Marc Shaiman for  South Park: Bigger,
Longer & Uncut
Best Production Design: Owen Paterson for  The Matrix
Best Costume Design: Michael Kaplan for  Fight Club
Sominex Award:  The World Is Not Enough
Dramamine Award:  The Green Mile
Mechanical Actor: Kevin Spacey in  American Beauty
Mechanical Actress: Annette Bening in  American Beauty
2000  IRA Film Award Winners
Best Picture:  L’ Humanite
Best Director: (tie) Terence Davies for  The House Of Mirth  and Jim
Jarmusch for  Ghost Dog: Way Of The Samurai
Best Actor: Forrest Whitaker in  Ghost Dog: Way Of The Samurai
Best Actress: (tie) Severine Caneele in  L’ Humanite  and Michelle Yeoh
in Crouching Tiger, Hidden Dragon
Best Supporting Actor: Jack Black in  High Fidelity  and  Jesus’s Son
Best Supporting Actress: Lupe Ontiveros in  Chuck And Buck
Best Screenplay: Kenneth Lonnergan for  You Can Count On Me
Best Cinematography: Remi Adefarasin for  The House Of Mirth
Best Music: RZA for  Ghost Dog: Way Of The Samurai
Best Production Design: Gideon Ponte for  American
Psycho  and  Hamlet
Best Costume Design: Monica Howe for  The House Of Mirth
Sominex Award:  Mission Impossible 2
Dramamine Award:  The Replacements  (aka The Scabs)
Mechanical Actor: Ian Holm in  Joe Gould’s Secret
Mechanical Actress: Charlize Theron in  Reindeer Games
2001  IRA Film Award Winners
Best Picture:  The Werckmeister Harmonies
Best Director: Bela Tarr for  The Werckmeister Harmonies
Best Actor: John Cameron Mitchell for  Hedwig And The Angry Inch
Best Actress: Naomi Watts in  Mulholland Drive
Best Supporting Actor: Steve Buscemi in  Ghost World
Best Supporting Actress: Scarlett Johansson in  Ghost World  and  The
Man Who Wasn’t There
Best Screenplay: Daniel Clowes and Terry Zwigoff for  Ghost World
Best Cinematography: (tie) Peter Deming for  From
Hell  and  Mulholland Drive  and Christopher Doyle and Mark Lee Ping-
bin for  In The Mood For Love
Best Music: Mihály Vig for  The Werckmeister Harmonies
Best Production Design: Edward T. McAvoy for  Ghost World
Best Costume Design: Mary Zophres for  Ghost World
Sominex Award:
Dramamine Award:
Mechanical Actor:
Mechanical Actress:
2002  IRA Film Award Winners
Best Picture: (tie)  Far From Heaven  and  The Son’s Room
Best Director: (tie) Todd Haynes for  Far From Heaven  and Aleksandr
Sokurov for  Russian Ark
Best Actor: Greg Kinnear in  Auto Focus
Best Actress: (tie) Emmanuelle Devos in  Read My Lips  and Julianne
Moore in  Far From Heaven  and Samantha Morton in  Minority
Report  and  Morvern Callar
Best Supporting Actor: Eddie Izzard in  The Cat’s Meow
Best Supporting Actress: Patricia Clarkson in  Far From Heaven
Best Screenplay: Bill Condon for  Chicago
Best Cinematography: Tilman Büttner for  Russian Ark
Best Music: Elmer Bernstein for  Far From Heaven
Best Production Design: Mark Friedberg for  Far From Heaven
Best Costume Design: Sandy Powell for  Far From Heaven  and  Gangs
Of New York
Sominex Award:  Naqoyqatsi
Dramamine Award:  Bowling For Dollars
Mechanical Actor: Anthony Hopkins in  Red Dragon
Mechanical Actress: Catherine Keener in  Lovely And Amazing
2003  IRA Film Award Winners
Best Picture:  Decasia
Best Director: Bill Morrison for  Decasia
Best Actor: Johnny Depp in  Pirates Of The Caribbean
Best Actress: Hope Davis in  American Splendor  and  The Secret Lives
Of Dentists
Best Supporting Actor: Max Pirkis in  Master and Commander: The
Far Side Of The World
Best Supporting Actress: Ludivine Sagnier in  Swimming Pool
Best Screenplay: Shari Springer Bergman and Robert Pulcini
for American Splendor
Best Cinematography: Peter Suschitzky for  Spider
Best Music: Michael Gordon for  Decasia
Best Production Design: Andrew Laws for  Down With Love
Best Costume Design: Daniel Orlandi for  Down With Love
Sominex Award:
Dramamine Award:  In My Skin
Mechanical Actor: Anthony Hopkins in  The Human Stain
Mechanical Actress: Nicole Kidman in  The Human Stain
2004  IRA Film Award Winners
Best Picture:  Kinsey
Best Director: Bill Condon for  Kinsey
Best Actor: Ethan Hawke in  Before Sunset
Best Actress: Laura Linney in  Kinsey  and  P.S.
Best Supporting Actor: Peter Sarsgaard in  Kinsey
Best Supporting Actress: Kirsten Dunst in  Eternal Sunshine Of The
Spotless Mind
Best Screenplay: Bill Condon for  Kinsey
Best Cinematography: Christopher Doyle for  Hero, Last Life In The
Universe and  Days Of Being Wild
Best Music: Alberto Iglesias for  Bad Education
Best Production Design: Dante Ferretti for  The Aviator
Best Costume Design: Emi Wada for  Hero  and  House Of The Flying
Daggers
Sominex Award:  The Village
Dramamine Award:  The Passion Of The Christ
Mechanical Actor: Cate Blanchett in  The Aviator
Mechanical Actress: Anthony Hopkins in  Alexander
2005  IRA Film Award Winners
Best Picture:  Mysterious Skin
Best Director: Gregg Araki for  Mysterious Skin
Best Actor: Joseph Gordon-Leavitt in  Mysterious Skin
Best Actress: Maria Bello in  A History Of Violence
Best Supporting Actor: Paddy Constantine in  My Summer Of Love
Best Supporting Actress: Catherine Keener in  Capote
Best Screenplay: Gregg Araki for  Mysterious Skin
Best Cinematography: Robert Elswit for  Good Night And Good
Luck  and  Syriana
Best Music: Howard Shore for  A History Of Violence
Best Production Design: William Chang Suk Ping for  2046
Best Costume Design: William Chang Suk Ping for  2046
Sominex Award: Saraband
Dramamine Award: Crash
Mechanical Actor: Tom Cruise for  War Of The Worlds
Mechanical Actress: Dakota Fanning for  War Of The Worlds
Complete coverage of the 2005 IRAs here.
2006  IRA Film Award Winners
Best Picture:  L’Enfant
Best Director: Jean-Pierre Dardenne and Luc Dardenne for  L’Enfant
Best Actor: Ryan Gosling in  Half Nelson
Best Actress: Maggie Cheung in  Clean
Best Supporting Actor: Anthony Mackie in  Half Nelson
Best Supporting Actress: Carmen Maura in  Volver
Best Screenplay: (tie) Guillermo Del Toro for  Pan’s Labyrinth  and
Jean- Pierre Dardenne and Luc Dardenne for  L’Enfant
Best Cinematography: Emmanuel Lubezki for  Children Of Men
Best Production Design: Eugenio Caballero for  Pan’s Labyrinth
Best Music: Philip Glass for  Notes On A Scandal  and  The Illusionist
Best Costume Design: Sharon Davis for  Dreamgirls
Sominex Award:  The Da Vinci Code
Dramamine Award:  Babel
Mechanical Actor: Robert Downey, Jr. in  Fur and  A Scanner Darkly
Mechanical Actress: Julianne Moore in  Children Of Men
Complete coverage of the 2006 IRAs here.
2007  IRA Film Award Winners
Best Picture:  The Assassination Of Jesse James By The Coward Robert
Ford
Best Director: Andrew Dominik for  The Assassination Of Jesse James
By The Coward Robert Ford
Best Actor: Casey Affleck in  The Assassination Of Jesse James By The
Coward Robert Ford  and  Gone Baby Gone
Best Actress: Marina Hands in  Lady Chatterley
Best Supporting Actor: Paul Schneider in  The Assassination Of Jesse
James By The Coward Robert Ford and  Lars And The Real Girl
Best Supporting Actress: Amy Ryan in  Gone Baby Gone
Best Screenplay: Corneliu Porumboiu for  12:08 East Of Bucharest
Best Cinematography: Roger Deakins for  The Assassination Of Jesse
James By The Coward Robert Ford, In The Valley Of Elah  and  No
Country For Old Men
Best Production Design: Patricia Norris for  The Assassination Of Jesse
James By The Coward Robert Ford
Best Music: Nick Cave and Warren Ellis for  The Assassination Of Jesse
James By The Coward Robert Ford
Best Costume Design: Patricia Norris for  The Assassination Of Jesse
James By The Coward Robert Ford
Sominex Award:  Youth Without Youth
Dramamine Award:  Before The Devil Knows You’re Dead
Mechanical Actor: John Travolta in  Hairspray
Mechanical Actress: Meryl Streep in  Lions For Lambs  and  Rendition
Complete coverage of the 2007 IRAs here.
2008  IRA Film Award Winners
Best Picture:  The Edge Of Heaven
Best Director: Fatih Akin -  The Edge Of Heaven
Best Actor: Michael Shannon -  Shotgun Stories
Best Actress: Anamaria Marinca -  4 Months, 3 Weeks and 2 Days
Best Supporting Actor: Emile Hirsch -  Milk
Best Supporting Actress: Hanna Schygulla -  The Edge Of Heaven
Best Screenplay: Fatih Akin -  The Edge Of Heaven
Best Cinematography: Jody Shapiro -  My Winnipeg
Best Production Design: Rejean Labrie -  My Winnipeg
Best Music: Carter Burwell for  In Bruges  and  Burn After Reading
Best Costumes: Danny Glicker -  Milk
Sominex:  The Happening
Dramamine:  The Reader
Mechanical Actor: Mark Wahlberg for  The Happening
Mechanical Actress: Meryl Streep for  Doubt
Complete coverage of the 2008 IRAs here.
2009 IRA Film Award Winners
Best Picture:  Hunger
Best Director: Olivier Assayas -  Summer Hours
Best Actor: Sharlto Copley -  District 9
Best Actress: Catalina Saavedra -  The Maid
Best Supporting Actor: Liam Cunningham -  Hunger
Best Supporting Actress: Anna Faris -  Observe And Report
Best Screenplay: Olivier Assayas -  Summer Hours
Best Cinematography: Sean Bobbitt -  Hunger
Best Production Design: Philip Ivey -  District 9
Best Music: Marvin Hamlisch -  The Informant!
Best Costumes: Janet Patterson -  Bright Star
Sominex:  Public Enemies
Dramamine:  Anti-Christ
Mechanical Actor: Peter Sarsgaard for  An Education
Mechanical Actress: Hilary Swank for  Amelia
2010 IRA Film Award Winners
Best Picture:  A Prophet/Un Prophete
Best Director: Jacques Audiard -  A Prophet/Un Prophete
Best Actor: Edgar Ramirez -  Carlos
Best Actress: Tilda Swinton -  I Am Love
Best Supporting Actor: Niels Arestrup -  A Prophet/Un Prophete
Best Supporting Actress: Dale Dickey -  Winter's Bone
Best Screenplay: Thomas Bidegain and Jacques Audiard -  A
Prophet/Un Prophete
Best Cinematography: Yorick Le Saux -  I Am Love
Best Production Design: Francesca Balestra Di Mottola -  I Am Love
Best Music: John Adams -  I Am Love
Best Costumes: Antonella Cannarozzi -  I Am Love
Sominex:  Cairo Time
Dramamine:  Black Swan
Mechanical Actor: Vincent Cassel for  Black Swan
Mechanical Actress: Natalie Portman for  Black Swan
The Governor Scott Walker Award For Achievement In Political
Thuggery:  Waiting For "Superman"
Complete coverage of the 2010 IRAs here .
2011 IRA FILM AWARD WINNERS
Best Picture:  The Tree Of Life
Best Director: Terrence Malick -  The Tree Of Life
Best Actor: Peyman Moadi -  A Separation
Best Actress: Leila Hatami -  A Separation
Best Supporting Actor: Hunter McCracken -  The Tree Of Life
Best Supporting Actress: Sareh Bayet -  A Separation
Best Screenplay: Ashgar Farhadi -  A Separation
Best Cinematography: Emmanuel Lubezki -  The Tree Of Life
Best Production Design: Dante Ferretti -  Hugo
Best Score: Alberto Iglesias -  Tinker Tailor Soldier Spy  and  The Skin I
Live In
Best Editing: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy
Weber, Mark Yoshikawa -  The Tree Of Life
Best Costumes: Jacqueline Durran -  Tinker Tailor Soldier Spy
Sominex Award (The Movie That Put Us To Sleep):  Midnight In Paris
Dramamine Award (The Movie That Made Us Sick):  The Help
Mechanical Actress: Meryl Streep -  The Iron Lady
Mechanical Actor: Owen Wilson -  Midnight In Paris
Complete coverage of the 2011 IRAs here.
2012 IRA FILM AWARD WINNERS
Best Picture:  Once Upon A Time In Anatolia
Best Director: Nuri Bilge Ceylan -  Once Upon A Time In Anatolia
Best Actor: Jean-Louis Trintignant -  Amour
Best Actress: Rachel Weisz -  The Deep Blue Sea
Best Supporting Actor: Taner Birsel -  Once Upon A Time In Anatolia
Best Supporting Actress: Cecile De France -  The Kid With A Bike
Best Screenplay: Ebru Ceylan and Nuri Bilge Ceylan and Ercan Kesal
- Once Upon A Time In Anatolia
Best Cinematography: Gokhan Tiryaki -  Once Upon A Time In Anatolia
Best Production Design: Arvinder Grewal -  Cosmopolis
Best Score: Dan Romer and Benh Zeitlin -  Beasts Of The Southern Wild
Best Editing: Todd Woody Richman and Tyler H. Walk -  How To
Survive A Plague
Best Costumes: Kari Perkins - Bernie
Sominex Award (The Movie That Put Us To Sleep): (tie)  Les
Miserables and Beasts Of The Southern Wild
Dramamine Award (The Movie That Made Us Sick):  The Intouchables
Mechanical Actress: Anne Hathaway -  Les Miserables
Mechanical Actor: Russell Crowe -  Les Miserables
Complete coverage of the 2012 IRAs here.
2013 IRA FILM AWARD WINNERS
Best Picture:  Laurence Anyways
Best Director: Xavier Dolan for  Laurence Anyways and  I Killed My
Mother
Best Actor: Joaquin Phoenix for  Her
Best Actress: Hadas Yaron for  Fill The Void
Best Supporting Actor: Daniel Bruhl for  The Fifth Estate and  Rush
Best Supporting Actress:  Nathalie Baye  for Laurence Anyways
Best Screenplay: Sarah Polley for  Stories We Tell
Best Cinematography:  Asaf Sudri  for Fill The Void
Best Production Design:  K.K. Barrett  for Her
Best Score: (tie) Alex Ebert for  All Is Lost  and Arcade Fire for  Her
Best Editing:  Mike Munn  for Stories We Tell
Best Costumes:  Francois Barbeau, Xavier Dolan  for Laurence Anyways
Sominex Award (The Movie That Put Us To Sleep):  Faust
Dramamine Award (The Movie That Made Us Sick):  The Great Gatsby
Mechanical Actress:  Meryl Streep for  August: Osage County
Mechanical Actor:  Jared Leto for  Dallas Buyers Club
Complete coverage of the 2013 IRAs here. 
2014 IRA FILM AWARD WINNERS
Best Picture:  Nightcrawler
Best Director: Dan Gilroy for  Nightcrawler
Best Actor: Jake Gyllenhaal for  Nightcrawler
Best Actress: Essie Davis for  The Babadook
Best Supporting Actor: Ethan Hawke for  Boyhood
Best Supporting Actress:  Agata Kulesza  for Ida
Best Screenplay:   Dan Gilroy for  Nightcrawler
Best Cinematography:  Robert Elswit for  Nightcrawler and  Inherent
Vice
Best Production Design:  Suzie Davies  for Mr. Turner
Best Score:  Mica Levi for  Under The Skin
Best Editing: (tie) Simon Njoo for  The Babadook;  Jay Cassidy, Stuart
Levy and Conor O'Neill for  Foxcatcher
Best Costumes: (tie)  Kasia Walicka-Maimone  for Foxcatcher and  A
Most Violent Year (but not  St. Vincent); Jacqueline Durran for Mr.
Turner
Sominex Award (The Movie That Put Us To Sleep):  The Monuments
Men
Dramamine Award (The Movie That Made Us Sick):  The Imitation
Game
Mechanical Actress: Lilla Crawford  for Into The Woods
Mechanical Actor: The Entire Cast of  The Monuments Men
Complete coverage of the 2014 IRAs here. 
2015 IRA FILM AWARD WINNERS
Best Picture:  Tangerine
Best Director:  Miroslav Slaboshpytski for  The T ribe
Best Actor:  Jason Segel for  The End Of The T our 
Best Actress:  (tie) Anne Dorval for  Mommy
                   (tie) Kitana Kiki Rodriguez for  Tangerine
Best Supporting Actor:  Alexander Skarsgård for  The Diary Of A Teenage
Girl
Best Supporting Actress:  Mya Taylor for  Tangerine  by acclamation
Best Nonfiction Film:  In Jackson Heights
Best Screenplay:   Donald Mar gulies for  The End Of The T our
Best Cinematography:  Sean Baker and Radium Cheung for  Tangerine
Best Production Design:  (tie) Judy Becker for  Carol
                                    (tie) Colin Gibson for  Mad Max: Fury Road
Best Score:  (tie) Junkie XL for  Mad Max: Fury Road
                 (tie) Atticus Ross and Brian Wilson for Love And Mercy
Best Editing:  Sean Baker for  Tangerine
Best Costumes:  Shih-Ching Tsou for  Tangerine
Sominex Award (The Movie That Put Us To Sleep):  The Assassin
Dramamine Award (The Movie That Made Us Sick):  Chi-Raq
Mechanical Actress: Eddie Redmayne  for The Danish Girl
Mechanical Actor: John Cusack for  Chi-Raq and  Love And Mercy
Complete coverage of the 2015 IRAs here.
2016 IRA FILM AWARD WINNERS
Best Picture:  Moonlight
Best Director:  Barry Jenkins for Moonlight
Best Actor:  J for Dheepan
Best Actress:  Annette Bening for  20th Century Women
Best Supporting Actor:  A for The
Best Supporting Actress:   for Dheepan
Best Nonfiction Film: O.J.: Made In America
Best Screenplay:   D for  The 
Best Cinematography:  S for Moonlight
Best Production Design:  (tie) J for Green Room
                                    (tie) C for The Witch
Best Score:  J for  Moonlight
Best Editing:  S for Under The Sun
Best Costumes:  S for  The Witch
Sominex Award (The Movie That Put Us To Sleep): Girl On A Train
Dramamine Award (The Movie That Made Us Sick): Nocturnal
Animals
Mechanical Actress: Nicole Kidman  for Lion
Mechanical Actor: Aaron Taylor-Johnson for  Nocturnal Animals
IRA BEST PICTURE WINNERS
Barry Lyndon (1975)
Lipstick  and  The Marquise Of O (tie) (1976)
Annie Hall (1977)
Days Of Heaven (1978)
Fedora (1979)
The Big Red One (1980)
Cutter’s Way (1981)
Victor/Victoria (1982)
Berlin Alexanderplatz (1983)
L’Argent  and  Once Upon A Time In America (tie) (1984)
Prizzi’s Honor (1985)
Eyes On The Prize (1986)
Housekeeping (1987)
Dead Ringers (1988)
Story Of Women (1989)
GoodFellas (1990)
The Man In The Moon (1991)
Raise The Red Lantern (1992)
Six Degrees Of Separation (1993)
Red (1994)
Exotica (1995)
La Ceremonie (1996)
Crash  (the David Cronenberg film) and  Grosse Pointe Blank (tie)
(1997)
Gods And Monsters (1998)
Fight Club (1999)
L’ Humanite (2000)
The Werckmeister Harmonies (2001)
Far From Heaven  and  The Son’s Room (tie) (2002)
Decasia (2003)
Kinsey (2004)
Mysterious Skin (2005)
L’Enfant (2006)
The Assassination Of Jesse James By The Coward Robert Ford (2007)
The Edge Of Heaven (2008)
Hunger (2009)
A Prophet/Un Prophete (2010)
The Tree Of Life (2011)
Once Upon A Time In Anatolia (2012)
Laurence Anyways (2013)
Nightcrawler (2014)
Tangerine (2015)
Moonlight (2016)
THE IRA AWARDS: THE TOP 100 FILMS OF THE 1940S
1. Citizen Kane (Orson Welles, 1941)
2. Letter From An Unknown Woman (Max Ophüls, 1948)
3. The Magnificent Ambersons (Orson Welles, 1942)
4. Notorious (Alfred Hitchcock, 1946)
5. The Big Sleep (Howard Hawks, 1946)
6. Shadow Of A Doubt (Alfred Hitchcock, 1943)
7. Red River (Howard Hawks, 1948)
8. It's A Wonderful Life (Frank Capra, 1946)
9. To Have And Have Not (Howard Hawks, 1944)
10. The Palm Beach Story (Preston Sturges, 1942)
See the complete list of the Top 100 Films Of The 1940s here.
THE IRA AWARDS: THE TOP 100 FILMS OF THE 1950s
1. The Earrings of Madame de… (Max Ophüls, 1953)
2. Touch of Evil  (Orson Welles, 1958)
3. Vertigo  (Alfred Hitchcock, 1958)
4. Rear Window  (Alfred Hitchcock, 1954) 
5. The Searchers  (John Ford, 1956) 
6. In a Lonely Place  (Nicholas Ray, 1950) 
7. Anatomy of a Murder  (Otto Preminger, 1959) 
8. Tokyo Story  (Yasujiro Ozu, 1953) 
9. North by Northwest  (Alfred Hitchcock, 1959) 
10. Pickpocket  (Robert Bresson, 1959) 
See the complete list of the Top 100 Films Of The 1950s here. 
THE IRA AWARDS: THE TOP 100 FILMS OF THE 1960s
1. Psycho  (Alfred Hitchcock, 1960)
2. The Apartment  (Billy Wilder, 1960)
3. The Man Who Shot Liberty Valance  (John Ford, 1962)
4. 2001: A Space Odyssey  (Stanley Kubrick, 1968)
5. Chimes At Midnight  (Orson Welles, 1965)
6. Once Upon A Time In The West  (Sergio Leone, 1968) 
7. The Birds  (Alfred Hitchcock, 1963) 
8. Marnie  (Alfred Hitchcock, 1964) 
9. When A Woman Ascends The Stairs  (Mikio Naruse, 1960)
10. Contempt  (Jean-Luc Godard, 1963)....
See the complete list here.
THE IRA AWARDS: THE BEST FILMS OF THE 2000s (voted
in 2010)
1. The Son/Le Fils (Jean-Pierre Dardenne and Luc Dardenne, 2002)
2. Zodiac (David Fincher, 2007)
3. Yi Yi (Edward Yang, 2000)
4. The Assassination Of Jesse James By The Coward Robert
Ford (Andrew Dominik, 2007)
5. The Edge Of Heaven (Fatih Akin, 2007)  (tie)
In The Mood For Love (Kar Wai Wong, 2000)  (tie)
7. The Heart Of The World (Guy Maddin, 2001)
8. Mysterious Skin (Gregg Araki, 2004)  (tie)
Bus 174 (José Padilha and Felipe Lacerda, 2002)  (tie)
10. The Death Of Mr. Lazarescu (Cristi Puiu, 2005)  (tie)
Head-On (Fatih Akin, 2004)  (tie)
Spirited Away (Hayao Miyazaki, 2001)  (tie)
THE IRA AWARDS: THE TOP 100 FILMS OF ALL TIME
1. The Rules Of The Game (Jean Renoir, 1939)
2. The Magnificent Ambersons (Orson Welles, 1942)
3. Citizen Kane (Orson Welles, 1941)
4. Vertigo (Alfred Hitchcock, 1958)
5. The Searchers (John Ford, 1956)
6. Letter From An Unknown Woman (Max Ophüls, 1948)
7. The Big Sleep (Howard Hawks, 1946)
8. Psycho (Alfred Hitchcock, 1960)
9. The Man Who Shot Liberty Valance (John Ford, 1962)
10. The Apartment (Billy Wilder, 1960)
See the complete list of the Top 100 Films Of All Time here.
POSTED BY MICHAEL GILTZ AT 3:46 AM


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Michael Giltz is a freelance writer
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mgiltz@pipeline.com
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